The UK attracts worldwide attention for the high standard of post-production being undertaken by facilities around the country. London houses a number of such companies, but this talent stretches up and down the country. Mere Mortals Moving Image, based in Newcastle, is a company growing from strength to strength, while adopting new technologies like Nuke X and Pro Tools HD.
For some time now, I have been doing a weekly round up of news for our own internal use at Escape Studios. I never actually thought of sharing it more widely until someone pointed out to me last week, that actually, maybe it would be useful to the people who read this blog.
MARI is a relatively new piece of software, and is becoming more popular with artists as its reputation for efficiency and adaptability becomes more widely known. As with any piece of new software there is a period of trial and error before you really get to know its full capability. It is in light of this that Henry South, lead texture artist at Framestore, is offering to share his top 23 tips when working with MARI.
On Tuesday the 30th of August Twitter streams of digital artists across the globe were buzzing with news of Wacom's new baby - the #Inkling. Everyone who currently draws digitally using the Wacom tablet, will be familiar with its advantages over the mouse, however, if the Inkling lives up to its anticipated hype, it will make creating digital drawings easier, more immediate and vitally speed up your workflow.
Giuseppe Candido is not only a recent character animation course escapee, but now also a very talented animator and a skilled Maya Generalist. He has put together one of the most charming demo reels we have seen here at Escape Studios. Giuseppe combined many of his student exercises into a circus project - creating a stunning short film in the process, and all completed from scratch in just six weeks.
The new course announcements are coming thick and fast at the moment, having recently launched our new Compositing Professional course I'm really pleased to announce the launch of our new 18-week Visual Effect Animation Professional course.
Here is a question for you: just because we can make somthing in 3D, is it always the best approach?
We had an enquiry from one of our online students asking if she could view our online courseware on an iPad via the Skyfire app to view flash content... As we have not yet worked on mobile releases of our learning system (busy building fab courses), I thought I would take a look at it as I was kind of intrigued.
So I invest my £2.99 and loaded her up! I was amazed I could get in to our system and play the video content! Sadly my joy soon tempered when I could not make out the text in the 3DS Max interface. #disappointed!
The loading was also a little clunky to be honest, you would select a video to view and it would load a little window in the bottom left hand of the screen and find the video. Not elegant.
Not to be beaten I decided to look at some additional apps. Whilst I am sure there are others I came across iSwifter. It was also cheaper at £1.79 ;-)
So I was again a little disappointed, this time with the speed of scrolling in our system... However - once I played a video it was seamless, no drop outs excellent quality and I was really very happy with the results.
Whilst we do not 'officially support' the iPad or mobile devices, I now know at least I can grab iSwifter and load up a video with my iPad. If you do have an iPad and want to try this out iSwifter do allow you to take a peak so why not grab one of our free tutorials and give it a go?
Have a great weekend everyone.
In recent years we’ve seen massive leaps forward in entertainment technology. 3D TV is all the rage and the release of the Nintendo 3DS has given us our first, glasses-free, 3D console. But what does this advance in entertainment technology mean for the Visual Effects industry? According to the latest statistics, the industry in India is set to grow at 18.5% a year - in short, it’s a great time to be working in VFX and 3D in the Indian subcontinent.
Are you looking for a job in the CG Industry? Here at Escape Studios Recruitment, we’ve never been busier. It’s a great time for the UK Post-Production industry and we have been inundated with requests for professional artists.
When Victor Perez finished our 12-week Compositing for Production course last year, we knew that he was destined for great things. Since completing the course he has worked for an impressive range of companies - most of the post houses in Soho in fact - and is absolutely loving it. Victor was born to be a compositor -it's just in his blood. He's been hooked since his early days watching Star Wars. For Victor being able to use his artistic and technical skills to tell a story is one of the most important aspect of what he does -he's definitely in the right job then!
Last night I caught up with Stuart Howard, the Managing Director of a start-up VFX studio that’s doing some great work.
If you’re an aspiring compositor who would like to know more about what the industry is going to expect from you, then sign up for my new webinar, entitled:'Entry Level and Junior Roles for Compositors".
As we move from January into February we’re left with no doubt that 2010 is well and truly behind us. What have we achieved this year? What did we create? Well, apart from 13 magazines – the creation was solely in your hands.
I came across this blog on the 5 miserable VFX Jobs that make movies possible and found it quite amusing... ;-)