What relationship if any, a nineteenth century impressionist painter has to today's CG artists is an interesting question, and one that occurred to me whilst at the Degas exhibition at the Royal Academy of Arts. Degas and the Ballet examines in detail the redoubtable French artist's devotion to his favourite subject, placing it in context alongside the then nascent, new media of film and photography.
His films certainly divide modern critics and audiences alike, which is perhaps no surprise. In a Hollywood saturated with formulaic product for multiplex audiences, his films are an anomaly, breaking from a conventional narrative and featuring extended, languid shots of the natural world that often serve to emphasise his character's - and therefore Man's - insignificance in the face of events.
There’s been a lot of talk about virtualisation and PC-over-IP lately, with a lot of studios asking what benefits it can bring to a CG pipeline. It’s a fair question that’s best explained by the experts, so we’ve asked Teradici to come along to this Thursday’s StudioSysAdmin event at Framestore, and shed a little more light on this emerging technology.
Irvin Kershner, director of 'The Empire Strikes Back' died on Saturday in Los Angeles, aged 87. 'Kersh'', as he was affectionately known on the set of the 1980 sequel, deserves credit for directing easily the finest of all the Star Wars films, and for a diverse and varied career in which the inter-galactic blockbuster was something of an anomaly.
We’ve got a new set of evening classes at Escape Studios , starting at the end of September. The Compositing Evening Course will allow experienced freelancers and amateur beginners alike to learn all they need to know about compositing in Nuke in twice weekly sessions, helping develop the skills required to becoming a top notch VFX compositor.