This Wednesday, October 24th, we’re hosting a webinar with compositing tutor and Head of 2D at Escape Studios, Davi Stein. During her presentation, Davi will guide us through the core processes behind compositing, highlighting exactly what a compositor does, the range of roles available in the industry, and how Compositors are largely responsible for creating the CG magic we see on screen. As well as this, Davi will comment on the effects of some of the most recent changes in the industry to date.
With the help of some top class industry speakers, cinemas in a handful of the world’s most prolific post houses, a dedicated team of Escape staff and some fantastically helpful VFX Marshalls, it is no surprise the UK’s first ever VFX Festival, was a storming success.
As a design graduate with 7 years’ experience working within design departments in architecture and retail I spent what time I could learning how to model and animate to create short sequences influenced mainly by films I like. Although fun, learning that way means progress is very slow as is the rate of improvement - at least in my case anyway. I wanted to get better quicker and that's why I signed up for the VFX Production course.
Dutch historian/artist, Jo Teeuwisse has created something rather extraordinary that has surfaced online this week.
Jo found a series of WW2 photographs at a nearby flea market, and after some considerable research, superimposed the old snaps onto modern day photographs of the very same places. Adding a sprinkle of wartime gloom to the now very pleasant (and sunny) streets of Northern France.
For Years I've been fascinated by space, as a VFX artist it's the closest thing we have to observing epic film effects in real life. Every star, nebula or galaxy represents incredible pyrotechnics happening right in front of our eyes… albeit a few million years late some of the time. As an example, this is a picture I took a few years ago of M27, also known as the ‘dumbbell nebula’. This is the result of a supernova, a gigantic explosion in space - throwing off matter, the red stuff is mostly hydrogen gas, the greenish stuff is oxygen.
Escape Studios would like to invite aspiring Compositors to a special event which will give you the chance to meet and talk to two of the VFX industry's most experienced artists, Davi Stein and Simon Haslett.
For the first time, Google are giving everyone a glimpse into where they run their products.
As you probably know Escape Studios organised and hosted the UK’s first VFX Festival last week with events, seminars and master classes taking place across London. The VFX Festival went down an absolute storm and was a fantastic platform to demonstrate the success of the UK’s ever-expanding visual effects industry.
Last week saw the UK’s very first VFX Festival, hosted by Escape Studios—a four-day spectacular exploring the breath-taking world of visual effects. Our industry pals and we celebrated the last decade of VFX with a jam-packed schedule of exclusive events, and it was our tutor-led workshops at Escape HQ that seemed to particularly whet the appetites of all those budding VFX artists out there.
Want to be a part of a European forum to discuss the latest research, advances and state-of-the-art industry practises?
It seems that for the last decade, a whole plethora of films have been remade when the original should never have been touched. Classic cult offerings such as Assault on Precinct 13, Cape Fear, Death Race 2000 and even Clash of the Titans have all undergone a reworking, which some might say was wholly unneeded.
Most people know that Escape Studios is a world class CG Academy as well as a leading supplier of the latest technology and software to the industry. A lesser known fact is that Escape is also a leading Post Production freelancer agency who work with some of the top studios in the world, we understand better than anyone the challenges of resourcing a project.