In honour of the recently released Autodesk Entertainment Creation Suite, Escape Studios are hosting a webinar to highlight some of the nifty tools in this 2012 version. Maya guru Lee Danskin will be walking through how these artist driven tools can assist with multiple pipelines without compromising on creativity. With one click solutions that give faster results, this new edition promises to increase creativity, flexibility and productivity, and won’t burn a hole in your wallet.
Here is something cool to brighten your Friday afternoon and to prepare you for the weekend. It has been doing the rounds this week, and was even featured in the Metro earlier in the week.
We are proud to congratulate Helen Streeter on her new position as a runner at The Mill. Helen recently completed the character animation course at Escape Studios, and worked hard on putting together a showreel demonstrating her animation skills. The Mill is one of London's leading VFX houses and recently re-opened its film division following strong successes in commercials and music videos. The biggest hurdle in visual effects is always getting that first job and we couldn't be more pleased for Helen - congratulations.
Matt Clinch is an Associate Partner at world renowned architectural visualisation practise Hayes Davidson; we asked Matt to give us some feedback on one of our recent online courses, V-Ray for Max, and here is what he had to say.
I was driving home from work last night, and as per usual, I tuned into the PM program on BBC Radio 4. Among the usual daily political squabbles about the Hacking Scandal, the debt crisis in America and the conflicts in Libya and Syria, there was a piece about the 2011 Sats results that caught my attention. Well, when I say "caught my attention", I actually mean that it left me reeling with anger and bemoaning the fact that we so often fail children. Let me explain...
If you want to create a seamless finish for your CG scenes, this is the video tutorial for you. This month, I've created a tutorial that explores how paint effects can be used to embed models into backplate environments simply and easily.
What's in this Tutorial?
First off, we'll take a look at paint effects and will explain how you can paint onto geometry. In order to do this, you’ll need to understand the importance of an object's UV which we will discuss as well. You'll then learn how to access a host of preset paint effect brushes that you can find in Maya.
Starting out in VFX can be difficult for junior artists, but the best place to start is your showreel. It needs to be compelling and to demonstrate all the technical skills that you possess.
My walk down memory lane continues...
I went on a simulator ride called 'Slot Car Boogie' at the weekend. it was actually made by some old friends at Rocket Films in Bournemouth quite some years ago. 1996 I believe! Rocket Films are sadly no longer trading but it lead me to wonder who makes these kind of films today? It's hard to find any reference of it in the UK, which is a shame as we were obviously quite good at it.
This work would have been done on a Silicon Graphics machine running PowerAnimator. To put this into perspective, this would have cost around £60-80K for the SGI hardware and the software for just one artist... Oh, how lucky we all are now!
If you know of any companies that do this type of work in the UK, do let me know.
As with most of my memory lane trips, the memories were normally pre Internet revolution. I have however found this on YouTube, Slot Car Boogie by the originator Ian Williams.
It seems that July was the month of good news for two of our escapees who have secured their dream jobs in the industry. Congratulations to escapee Andrew McGregor who has just landed a 6 month Camera Tracking Job at Framestore from August this year. Andrew studied our VFX for Production Course with tutor Mark Spevick and started working in the industry soon after as a modeller at Polar Media. He is now absolutely delighted to be part of the Framestore Team and can't wait to get started.