Responsible for producing a visually captivating film that unfolds the story of the re-construction of the World Trade Centre, VFX house Piranha were faced with the monstrous task of rendering data of epic proportions. For Piranha the solution came in the form of a BOXX workstation.
Being relatively new to CG and to Escape Studios I am still astounded by the standard of work that comes from our students. Despite studying Media Production at University, where I majored in Scriptwriting, I never knew the actual amount of effort that goes into creating CGI. It gives me a completely new perspective on everything that I watch in the cinema and at home on TV.
Every year Sci-Fi London runs a competition inviting Sci-Fi fans and filmmakers to take part in a 48hrs film challenge. Armed with a title, a line of dialogue, a scientific theme and a specified prop, competing teams have two days to develop and make a 5 minute short film. The winning film is premiered during the London Sci-Fi Film Festival, and also benefits from a promotional platform through The Guardian newspaper website, as well as a development deal with independent UK production company, Vertigo Films.
The quality of work that our students create during their Visual Effects Production course is always awesome and there's no doubt it's getting better and better. When you consider that every student doesn't just attend their daytime lessons. They have to find, track, model, light, texture, render and composite a shot in just 6 weeks that shows the extent of their ability. One of our former students and now Studio Assistant Ashley Miles remembers how stressful it can get.
Following the recent release of ZBrush 4R3, we are running a webinar on May 10th, 2012, that will present some of the more important new features now available in this 3D modelling software. We have invited the development team at Pixologic to show off what makes this new version even greater.
When Sue Rowe, Cinesite’s senior VFX Supervisor on John Carter, came in to talk to our students it was like a breath of fresh air. Reassuringly, despite having masses of technical and creative responsibility, her fundamental joy is much the same as the students studying with us – that blowing stuff up is what still excites her.
Industry proven among some great names in the VFX industry, SCRATCH has played a significant role for an impressive list of film and documentary titles. Developed by software vendor, ASSIMILATE Inc., it is the highly flexible and comprehensive tool for digital workflows, giving you a range of features at your disposal. SCRATCH can manage dailies, versioning, conform, colour grading and finishing all within one application. Often referred to as a ‘post-house in a box’, this tool has a great many qualities to impress.
Every month, Develop review the brightest and best courses and colleges in the world of Computer Graphics. And this week, we've found ourselves in the spotlight!
IKinema is a UK based company with a great technology for quick full-body solving and animation. Their flagship product, IKinema Action, is a plug-in for Maya that enables artists to rig characters as well as stream, retarget and record motion capture data, in less time. It is also a very cost effective solution.
Last night, Thursday 29th March, was the Art of 3D Visualisation event at the Barbican Centre, and we’re delighted to report it was a great success. To start with, the setting was spectacular. The Barbican is an inspiring setting for architectural design. The event kicked off in the conservatory terrace, a hidden treasure in the heart of the Barbican and a lavish space with a back drop of decorative tropical plants. This time was spent wisely, arming ourselves with a cold drink the proceedings moved to Cinema 3 where we and our guests were treated to four presentations from five fantastic speakers.
Moving on from the presentation by Kevin Jenkins we turned our attention to Ben Morris who gave us the low-down on his role as a VFX Supervisor. As we watched the end sequence of War Horse, which is the part where we discover the fate of our hero’s horse, we all became a little misty eyed, but were quickly reassured by Ben that no horses were harmed during the making of this film. Needless to say, we were all very impressed with the great VFX work done by the guys at Framestore and how realistic the horse looked. Surely Mr Spielberg wouldn't have it any other way.
Last Friday, 23rd March, the students at Escape Studios had a much deserved break from the studio in Soho. It was nice to finally catch a bit of sunlight as all of us have been cooped up indoors, out from this amazing weather. However, the blast of sunshine was short lived as we were to enter one of the largest VFX studios in Soho.
Pixomondo, an international visual effects company with eleven facilities worldwide, have a very talented team right here in London. Based just off Old Street, the London facility opened in 2010 and is one of the more recent additions to the Pixomondo global network. The company is currently growing from strength to strength, and is working on some very highly anticipated projects such as Snow White and the Huntsman, The Amazing Spiderman, and the new series of Game of Thrones. Over the past five years, Pixomondo has provided VFX production and supervision for over thirty high-concept feature films, including popular titles like Hugo, Red Tails, Sucker Punch, Journey 2: The Mysterious Island, Super 8, Fast Five, Percy Jackson & The Olympians: The Lightning Thief and 2012, to name just a few.
Check out the new official trailer for 'Prometheus' by Ridley Scott. The film will consist of the following all star cast: Noomi Rapace, Michael Fassbender, Guy Pearce, Idris Elba, Logan Marshall-Green and Charlize Theron. Conceived as a prequel to Scott's 1979 science fiction horror film Alien, it is in fact a separate story and is not directly connected to the Aliens franchise.
There are so many useful apps on the market and I have found a couple of super useful and cool iPhone apps for the VFX artist and digital photographer. Over the next couple of weeks, I’ll be sharing these with you in a series of blog posts.
Pixologic are at it again! Another release of ZBrush (4R3) and not disappointingly they have added another bunch of cool new features!
What makes this taste even sweeter for ZBrush customers is that again the upgrade is completely FREE! Since day one Pixologic have never charged for an upgrade, which is pretty amazing. Of course it means it now has a huge following and user base. Quite smart really!
HP has partnered with DreamWorks since the beginning, helping the business mature into the well-oiled animation machine we know today. HP is responsible for the hardware platforms at the very heart of the company, with a storage infrastructure that allows the team to share data quickly and easily over a global network, as well as state of the art workstations and monitors for creating detailed and realistic effects. In the video above, the team at DreamWorks discuss how HP technology has contributed significantly to the company staying on the cutting edge and how this technology brought to life the 2011 production of Puss in Boots.