Last Friday we took a train south to Bournemouth for the 2013 BFX awards ceremony, which was a truly wonderful event. Awarding and celebrating emerging talent from eleven UK universities, the teams who took part in this competition impressed us mightily.
Once upon a time, in a world full of extremely complex effects, there was a place where people thought that only explosions, giant robots, monsters and set replacements could cause their jaws to drop, then a company called Bot & Dolly decided to show to everyone how they could make something compelling and inspiring... just with primitives!
Hello loyal readers, A P Miles here with sad, sad news. It seems that I've bucked the trend and decided to catch the winter cold rather early, turning my normally deep and soothing voice into a growley, crackly mess, and increasing the pressure in my head to somewhere close to 500 fathoms deep.
Often for a VFX artist there is a defining moment of clarity, whether it be during a TV program, an epic film, or just viewing a highly detailed drawing, most of the artists we encounter, when asked “what made you want to become a VFX artist?” Usually one of these occasions is cited as a reply.
It’s no secret that here at Escape Studios, we have some fantastically talented tutors, we know it, our students know it, and it’s always nice when their skill and know how is drafted in by other leader in the field.
Here at Escape, we're always trying to help our Escapees get the best jobs in the VFX industry, as part of our ongoing commitment to every student who passes through our doors. Sometimes that means they'll work on feature films, or hit TV shows, or sometimes, as Roberto Fera was lucky enough to find out, it means music videos.
If you didn’t already know, we’re big fans of technology in education, when these two fields are spliced together in a truly ground breaking way, we can’t resist a blog post about it!
It was whispered around the film community that we Alfonso Cuarón got started on Gravity, it was going to be something truly epic. Well the first reviews came in today from the Venice film festival where it was premiered, and guess what, it sounds just that! Here are a few snippets from reviewers/tweeters that have been kindly collated by thefilmstage.com. (check the site out here for the full reviews)
Don’t you just love it when two intricate art forms collide to make something equally as wonderful as each ingredient on its own? We saw this video (above) created by students from the University for the Creative Arts, and not only did we fall in love with the computer generated imagery, but we were impressed by the fact that this animation was synchronised with a live recording of Milhaud’s 'La Création du Monde'.
Star Wars Episode VII is on the horizon, and whether you are jumping in the air with excitement or recoiling every time the film's title is uttered – the creation of the motion picture is going to be one interesting venture.
Calling all filmmakers! Are you an IdeasTap member? If so, then you’ve got until Friday 6th of September to enter this competition, run by the National Theatre, who are in search of creative minds to make a short film inspired by their new show; ‘The Light Princess’, (click here for more information on entrants source of inspiration)
Hi dudes! It's been a while since I've seen a film where the special effects really surprised me. The thing is that these days everything is ordinary: it's absolutely normal to go to the cinema and see giant robots, extreme explosions, blah blah blah.
Escape Graduate setting the trends in Brooklyn.