I can still remember being five years old and fashioning two back pack holsters for my toy swords, out of plastic drinks bottles in homage to Leonardo, my favourite member of the Teenage Mutant Ninja Turtles troupe.
To get a real good grasp of compositing and the discipline that surrounds it, there’s no better way than seeing the process in action for yourself. And if this is something that sounds right up your street, the only other thing to add is that your guide for this comp session is none other than NUKE devout, Simon Richardson.
If you live in the UK and watch television from time to time, you might find yourself familiar with the BBC… well to be honest, unless you live in a cave and aren’t aware of the technological progression of the western world over the last 100 years, you will definitely have heard of the BBC.
I’ll probably get in to trouble if I say that EVERY young girl dreamed of having their very own Prince Charming slip on the glass slipper and whisk her away from a life of boredom, ill-treatment and endless cleaning, but it would be fair to say that quite a few girls grew up getting lost in this particular fantasy, and it would appear that Emma Watson is one of them!
You may have read our blog a few weeks back about the robot dog/drone/potential death machine that was created by the US military, if you did catch it, you’ll know that this ‘Black Phoenix’ from 3D artist Vitaly Bulgarov project is not far away from being very much a spot on prediction of the near future.
You may remember our very own Paul Harrison recently wrote a blog post about the increasing success of Ireland’s animation industry.
The role of Visual Effects Supervisor is hugely important on set as well as during the whole post production process. This person works with both the Director and Clients to convert artistic concepts to stunning visual imagery.
The legend that created the lab process of travelling mattes, (that’s blue/green screens to the rest of us) sadly passed away last week, at the grand age of 96.