As a 3D lover I am also a regular frequenter of Polycount. Some of you out there will no doubt already be familiar with this site, but for those that aren’t – it’s a community of pros and hobbyists that specialise in creating 3D for videogames, and it is always brimming with infatuating content.
Often I’ve thought to myself, “boy I’d like to visit Japan, the culture difference, the challenge of the language barrier, the public transport…”
Finding the time to hone ones skills is more often than not more a troublesome task than finding the will to learn. In a busy world it’s never as simple as signing up for a fulltime course and cracking on with it.
To get a real good grasp of compositing and the discipline that surrounds it, there’s no better way than seeing the process in action for yourself. And if this is something that sounds right up your street, the only other thing to add is that your guide for this comp session is none other than NUKE devout, Simon Richardson.
If you live in the UK and watch television from time to time, you might find yourself familiar with the BBC… well to be honest, unless you live in a cave and aren’t aware of the technological progression of the western world over the last 100 years, you will definitely have heard of the BBC.
There was always one kid in school who, when it came to using computers - was a wizard with the mouse, and would create pictures on ‘Paint’ as soon as your Business Studies teacher had his back turned. Well, some school out there was graced with the presence of this chap ‘Jim’.
Happy International Women’s Day!
The role of Visual Effects Supervisor is hugely important on set as well as during the whole post production process. This person works with both the Director and Clients to convert artistic concepts to stunning visual imagery.