Although we can’t unveil the name of the top secret industry speaker at our next Academy Tour (on the 6th of March) I insisted that we dispatch a couple of ‘Guess Who?’ Q&A’s to get your minds racing, exciting!
The role of Visual Effects Supervisor is hugely important on set as well as during the whole post production process. This person works with both the Director and Clients to convert artistic concepts to stunning visual imagery.
Our friends over at View Conference Italy, last week unveiled that they will be providing cash prizes for winners of their different awards. The prizes vary from top of the range tablets to a lump sum of 2000 Euros. The categories for application are as follows (complete with direct links)
I really like how Michael Rigley has used 3D in a very creative, non-conventional visual effects project for his thesis.
Fans of 3D and users of Photoshop will be delighted this week, with the announcement that 'Photoshop CS6 Extended' is on the market, it allows you to create 3D shape text using extrusions as a 3D layer... "similar to CS4 Extended" I hear you say! But alas, according to this write up, we are told that this works far more 'natively', with 'the usability you’d expect from an integrated Adobe toolset'.
The office here at Escape is usually bustling with an array of different musical sounds, and it’s rare we fully agree on what radio station to keep on for more than an hour and a half.
While the days are cold, the nights are long, and we’ve seen the back of Christmas and New Year festivities, at one point or another, we all find ourselves daydreaming about the return of the summer sun. The smell of sun cream, the call of the beach, and the excuse to whack on a pair of shades, making ourselves look AT LEAST 20% cooler, is but a dream away at this, the tail end of January.
Joy riders are a worry in many communities, and at a time of year when the icy roads have us all thinking twice about our speed, here’s a little bit of CG that lowers the speed limit.
Cinematic Color: From Your Monitor to the Big Screen, documents current state-of-the-art practices for accurately working with color throughout the visual effects and animation process.