I think it’s fair to say, when it comes to films- everyone is a fan of behind the scenes photographs, especially when they’re of some of the most iconic movies of all time, AND they show the making of some of the most well-known scenes ever.
Escapee Alessio Bertotti answers some questions on VFX and tells us about his time at Pixomondo Hamburg.
It’s on set pictures like these that remind us how important CG is in the world of blockbuster action movies.
We were contacted a few weeks back by long-time friend of Escape Studios, Haz Dulull, who has recently been signed up as a Director for feature film representation by I AM Entertainment, (nice one Haz!) and delighted us even more by announcing the release of his latest project which went online last month.
It is a truth universally acknowledged, that a career in Visual Effects is far from boring. As far as careers go, this is an industry that keeps us on our toes, offering us a never ending number of new creative project ideas to be realised, fun new problems to be solved and new technologies to be developed. This is an industry that constantly pushes us to learn and discover more.
Acquiring some VFX skills is a natural path for most people who are currently using all the great tools we have today for video/film production and editing. The technology has matured to the point where we (the average single graphics guy or gal) use it almost on a daily basis.
As a 3D lover I am also a regular frequenter of Polycount. Some of you out there will no doubt already be familiar with this site, but for those that aren’t – it’s a community of pros and hobbyists that specialise in creating 3D for videogames, and it is always brimming with infatuating content.
Often I’ve thought to myself, “boy I’d like to visit Japan, the culture difference, the challenge of the language barrier, the public transport…”
Finding the time to hone ones skills is more often than not more a troublesome task than finding the will to learn. In a busy world it’s never as simple as signing up for a fulltime course and cracking on with it.
To get a real good grasp of compositing and the discipline that surrounds it, there’s no better way than seeing the process in action for yourself. And if this is something that sounds right up your street, the only other thing to add is that your guide for this comp session is none other than NUKE devout, Simon Richardson.
If you live in the UK and watch television from time to time, you might find yourself familiar with the BBC… well to be honest, unless you live in a cave and aren’t aware of the technological progression of the western world over the last 100 years, you will definitely have heard of the BBC.