In a bid to cure our post-Oylmpic blues, we've been re-watching Union VFX's fantastic opening sequence, comprising a mix of real photography, animation and CG elements, which helped to kick off the celebrations at the opening ceremony for the Games.
Sometimes a new piece of equipment struts onto the gadgetry scene, reminding us all, just how hard it is to keep up with the rapidly evolving trends in the technological world we live in.
The 2012 IBC Conference & Exhibition is now in full swing in the buzzing city of Amsterdam. Let’s just say, you’re not going to find a hotel room very easily right now! Jason Jenner and I from the Escape Studios technology team are here to represent our partners in the world of tech. We’re here all week, so if you want to get in touch, please drop us a line.
The Old Spice ads have been tickling viewers over the last year or two, and this one for me, just takes the biscuit. With some magic from our friends at the Mill LA, this musically themed minute or so is brought to life by some intrinsically timed VFX.
If a movie is a massive studio blockbuster, then the Prime Focus World visual effects team have most likely had some involvement in its making. Prime Focus was responsible for creating the stunning effects for titles such as Men in Black 3, Dredd 3D, Mirror Mirror and Total Recall…to name just a few! And of course, every new VFX project comes with its own challenges. Len Wiseman’s remake of Total Recall was one such project that allowed the team to flex their creative and technical muscle.
Today sees the launch of Reasons to be Creative, an annual festival dedicated to art, design, code and being creative. Born from its predecessor Flash on the Beach, this is a Brighton based digital media conference perfect for those who want to learn, get inspired, network, brainstorm, and collaborate. This is where leading minds in the business are brought together to share their knowledge, experience and above all inspire.
Ever found yourself pondering over a possible career in VFX? We’ve all had those moments when we’ve seen some awesome CG visuals and thought ‘how did they do that?’ The people who created these effects all started out somewhere, and that starting point is usually the time they started learning the tools they needed to get the job done.
In this modern age of gadgetry we've got tablets, Siri and GPS coming out of every orifice, but sometimes it's nice to remember the past, the things that people used to do before the technological world took over, like writing a letter—with an actual pen and paper, using real stamps from a post office?! That's perhaps a retro step too far, but if there was some way to combine the old and the new worlds...some sort of postcard sending app, maybe? But if only you could use your own picture—not the generic touristy crap you can get everywhere, something more personal...Everyone LOVES taking photos on their phone—it's fast and it's easy. But what do you do with them after that? Sure you can whack them on twitter, upload them to facebook and wait for the likes but what about posting it...as a postcard?
Over the past six months we have been working with Michael Illingworth, founder of Vine Post Production to expand his studio. Michael has worked at The Mill and Cinesite and has been involved in post-production, compositing and visual effects supervision on some of the biggest film names in the industry including the Harry Potter franchise, Gladiator and Black Hawk Down.
“Big things have small beginnings”, was an idea acknowledged in Ridley Scott’s Prometheus, released earlier this year. And for us, this statement couldn’t be more true. Taking the art of visual effects as a prime example, the spectacular CG you see on screens today was born from the most basic of concepts, and the people who created those effects invested significant time and energy to become the talented artists they are today. Every creative talent has to start out somewhere, and with the right levels of care and determination, it can evolve into something magnificent.
It's a well known fact that the iPhone camera is pretty cool but there's always been a certain je ne sais quoi missing from its camera interface. Granted it does make taking a quick pic a breeze but there isn't much on offer in terms of customisation or creativity. That's where Microsoft's Photosynth app comes in. This versatile panorama app automatically stitches vistas out of your iOS device camera's images.
We are sad to have to tell you that due to our demand for such a massive amount of beef for our BBQ, Argentina has told us that they don’t have enough cows.