I created this month’s free tutorial with one thing in mind: How can I help improve artists’ workflow’s? This tutorial explores Maya’s ‘Transfer maps’ tool and is designed to do just that. I’ve made sure that we cover this tool in great detail, providing valuable insight into how it works, and how you can avoid common problems. It’s a very practical, hands-on demonstration of the ‘Transfer maps’ tool and with it, you will learn how to bake a diffuse texture from multiple pieces of geometry to one individual model.
Here is my usual Weekly Round-Up of News, with stories that I have picked up over the past week. If you have suggestions for stories I missed, just drop me a line or post a comment.
There were a whole raft of announcements and news stories about university applications last week - sadly they didn't get much air time as TV and radio stations remained firmly focused on the state of the Euro. Still, the BBC did publish a few stories which are worthy of further discussion.
Yesterday was the last day of Movember, and we took this opportunity to take one last set of photos of team 'There's Mo Escape'. I am sure you will agree with me that we look like mighty fine with our moustaches!
We are halfway through Movember, and it's time to show off the progress achieved in the past couple of weeks. For us girls in the office, this time of year is a lot of fun! It's our time to taunt the boys and watch them act all manly. Very funny indeed. And of course, it's all in help of a good cause. Which reminds me,... feel free to donate all you can to "There's Mo Escape" (that's the name of our team), by clicking here.
Last week, disgruntled students took to the London streets to protest about tuition fees and the "privatisation" of universities. Frankly, I don't think it got the attention it deserved, but in an unstable world where the media is focused on the economic consequences of what Greece and Italy's political elite are up to, I can't say I am surprised. Shame though, because there is a lot that still needs to be said about this government's reform of the higher education system.
Yes, it is. That time of year when many of us give up our face real-estate to grow some facial hair in the name of prostate cancer. This year is no exception and team "There's Mo Escape" and its 16 members of varying facial hair success, are just 10 days in...
For some of us it's hard to see we are actually partaking in the fund-raising event. But hey, we are having fun trying... If you have a spare 50p and want to see how stupid we all look as we'll post some pics then please feel free to donate!
Character Animation can be a tricky business. The industry is full of talented, creative people who are passionate and dedicated about what they do and this means they often have lengthy careers at the same company they first started out at. So, getting your first break can be tough because when those job opportunities arise, standards are high and so are expectations. Your work really does have to stand out.
When we caught up with Maxwell Smith about his new position as a Matchmove Artist at Framestore, he wanted to make it clear that he owed a lot of his success to his tutors Gideon Corby and Dan Shutt. They were ‘his greatest influence’ while he studied here at Escape Studios and according to him are ‘Masters of their craft’. Max proved to be a very talented artist and once he completed his VFX Production course, he actually came to work with us as a studio assistant.
It turns out that our escapees are never prouder than when they are wearing an ‘escapee’ T-Shirt, as you can see in this photo of Mentored VFX Course student Ricardo Vianna. Whenever I’m out and about in Soho, I’m always surprised by how many escapees stop to tell me that they continue to wear their T-Shirt, even after we have placed them in jobs. Some have mentioned that they’ve even taken them on holiday. All of our Classroom and Mentored Course students get a T-Shirt and they are becoming a bit of a phenomenon – well, put it this way, it’s very easy to spot our graduates when out and about in the industry. It turns out that one of our students has a picture of herself standing outside the pyramids with it on! (Picture coming soon…).
One foggy day in London town, a gaggle of our compositing students congregated for coffee at Oxford Circus.
Here at Escape Studios we are constantly fine-tuning our courses to give our students the best possible balance of skills.
A few weeks back we launched an internal competition at Escape Studios to get people’s creative juices flowing and find new budding literary talent. We invited people to write blog posts on anything they felt passionate about. It didn’t have to be CG related; it just had to be something which got under their skin enough to get them writing about it.
One of the most entertaining parts of the Character Animation course that I teach at Escape studios is the lesson where the students invent, design and pitch an original animated character to myself and the rest of the class. The purpose of the exercise is to get students thinking not just about the technical side of character motion and action but also to think inventively and creatively. Can we invent characters as well as animate them? The visual effects industry is often demanding in terms of time and energy, and one of the best antidotes to the problem of "burn out" is to keep the creative spirit alive. After all, we all went into the arts to invent and create, not just to polish other people's ideas.
Shapes In Motion was founded in 2010 by Sarah Perry who is not just an actor but an acting and movement coach. Having met Sarah recently at Escape Studios I wanted to tell you more about the interesting coaching work she does with animators. Sarah has been working in the visual effects industry in various tutoring/coaching capacities on a freelance basis since 2008, with recent clients including MPC and Double Negative.
Not many traditional artists ever imagine that they’d be able to transfer their artistics skills from the studio to the computer but in fact it’s quite the opposite. The current growth of the VFX industry in the UK means there is a growing demand for fresh creative talent. Learning the skills is the easy bit; it’s the creativity that the industry is looking for and that really is something that you’re born with.
Everyone likes to make a saving where they can, that's why we offer all students paying their full course fee's three months in advance, an early-bird discount of £500.
Most of you who keep up with industry news will know that compositing skills - in particular NUKE skills - are in very high demand at the moment. There are more jobs out there than candidates, and we have never had so many compositing students studying with us.
For some time now, I have been doing a weekly round up of news for our own internal use at Escape Studios. I never actually thought of sharing it more widely until someone pointed out to me last week, that actually, maybe it would be useful to the people who read this blog.