If you haven't been able to make it out to SIGGRAPH this week, I will be keeping you up to date with all the news and information that you need. And if that isn’t enough our friends at NVidia will be streaming most of their booth presentations live from booth #634 & #735.
Fans of French Electro Duo ‘Justice’ will be content this week as they release the adrenalin fuelled, VFX heavy video for their latest single ‘New Lands’. A brainchild of the bands work with production company ‘CANADA’, this video depicts a violent futuristic combination of American football and baseball, (with some motorbikes thrown in for good measure) VFX company Glassworks Barcelona bring the video to life, with sequences that match, and at some points, (speaking subjectively of course) exceed the excitement of the song.
It has been announced this week that MAXON will be releasing CINEMA 4D R14 in September this year. MAXON have almost 20 years of programming innovation under their belts and CINEMA 4D is one of the best known and most successful 3D motion graphics, painting and rendering software applications around.
Or wanted to be able to say, ‘I did that’, when watching a film and seeing a huge, breath taking explosion? Then maybe you should start to think about pursuing a career in Visual Effects. At Escape Studios, we want to make those first steps into the industry as easy as possible whilst providing you with the tools to succeed. Our Visual Effects Production course will not only give you the skills to progress in the exciting world of Film Visual Effects, but will also show you how to make an impressive show reel (which results in many of our students securing jobs once they have finished.)
BOXX Technologies present the BOXX renderPRO, the first personal, dedicated, rendering solution for animation, VFX, engineering and architectural visualisation. The renderPRO is designed for desk-side rendering with easy configuring and a compact design for professional performance in minimal space.
Ladies and Gentlemen, prepare yourselves and dust off your knives and forks as we are happy to announce round two of the Assimilate and Escape Studios Technology BBQ!
On Thursday the 23rd of August at the Shepherd’s Bar we are hosting a second BBQ with Assimilate and HP, but this time we have also partnered up with NVidia and Red Digital Cinema Professional to showcase a SCRATCH turnkey package exclusive to Escape Studios Technology.
Last week I accompanied the current Compositing class on a trip to the MPC studio in London. It's all part of the industry mentoring scheme we're encouraging at Escape, as we work to prepare our students for the working world. With aspirations for one day working in the industry, we feel it's really important for all our students to get a taste for what is expected from them as early as possible in their training. Irene Bonilla was one student who joined us that day, and here's what she had to say about it...
Last night we fought off the threat of rain, heated up the barbies and started cooking for our Assimilate, HP and Escape Studios BBQ in the Shepherd’s Bar and we are so proud that it was a huge success! A big thank you to everyone who made the journey down to Shepherd’s Bush for this very special event.
NATIVITY is a pioneering digital art project by Martha Fiennes, a moving-image interpretation of the Christ Nativity inspired by a canon of Renaissance paintings on the story. Martha’s idea for this project was brought to life through the process of SLOimage, which is the process of random and perpetual image self-generation. It slowly transforms through a wide range of alternative pictorial content in a way that is unpredictable to both the artist and the viewer. In a way, it is as though this technique has its own level of consciousness, allowing the artwork to generate meaning in new and very unexpected ways.
Over the weekend we attended the London VES Career Fair & Tech Expo, and let’s just say it put Love Box to shame with the numbers who turned out for the event itself! Queues of aspiring VFX artists patiently lining up to speak to representatives from some of the world’s greatest post houses, including ILM, Framestore, Pixomondo, Method Studios, Cinesite, Prime Focus and Disney, really highlighted just how much competition there is to get your foot on the first rung of the ladder in the world of Visual Effects.