On Thursday, 30 October, we were joined by two CG masters, for an insight into their careers working in VFX. Both had very different stories to tell – which given the variety of audience members and interests in the room, was a great opportunity to learn about the scope of the VFX industry and what area an artist may look to specialise in.
You’ve been talking about it, your friends have been talking about it, your friends’ friends have been talking about it, hell I even heard the milkman talking about it the other day, and now the date is finally here. That’s right, it’s time for you to start preparing for the VFX Festival 2015.
If you’re in the business of creative careers, then it’s likely you’ll be aware of Creative Skillset, an organisation that aims to plug skills gaps, identify funding needs, and train, develop and nurture people within creative industries.
Anita, Vania and I were at VIEW Conference in Turin, Italy last week, and on Wednesday I hosted a NUKE Taster day style workshop for a packed house of 35 students. Most attendees came from 3 surrounding animation art schools within the arts centre in central Turin. After the session I had lunch with some of them and discovered that in their foundation year they are learning traditional animation, 3D and filmmaking, then specialising afterwards in 2D or 3D animation for their final project.
Whether you’re a seasoned VFX pro or just entering the industry, it’s highly likely that you would’ve seen and enjoyed the work of Paul Franklin, in fact considering the insane projects he’s been involved with, this blog doesn’t take much writing, so I’ll keep things short and sweet.
The HP ZED London pop up is a rich source of knowledge for those who are considering a career, or are already involved in, the business of VFX.
Compositing Master and long-time friend of Escape Victor Perez, has recently taken a new direction within his artistic career, and after years in the VFX biz, is taking the skills that he has accrued supervising on some huge projects (you may have seen his story on our Escape & Enter site) into the field of film Directing, and at the moment is embroiled in some pretty exciting projects.
"Filmed on location within Tavares Bastos favela, Santa Teresa and The Maracanã in Rio de Janeiro, Brazil. The BBC World Cup 2014 titles visual effects were created by GeeFX Studios. The entire piece was done at 6k resolution, filmed with a Red Epic Dragon. Although only broadcast by the BBC in HD, you can view a 4K version on the RED youtube channel above. In conjunction with The Sex Pixels, Unlimited VFX Limited brought to life the statue of Brazil’s 1958 world cup winning captain, Hilderaldo Luiz Bellini, The Macarana stadium entrance and Brazillian sky were also augmented for dramatic effect.
After 10hr flight and a spot of jet lag kicking in we registered at the one and only SIGGRAPH today in Vancouver (Sunday 10th August)
You may have read that our main man Ash Miles was invited to the private cast and crew screening of Guardians of the Galaxy last weekend, and went along with a number of Escape graduates from MPC who worked on the project. His blog about it got us so excited that we had to get in touch with Adam Dewhirst, escapee and advisory board member who happened to be Framestore's Lead Modeller on the film, to ask a few questions, he was careful not to discuss any spoilers with us so read all about the project below in peace, and discover what it’s like to work on what is soon to be a truly iconic motion picture.
With ‘The Dawn of the Planet of the Apes’ having hit cinemas on the 17th of July we reckon a fair portion of you guys went to see it over the weekend, so we’re keeping an eye out for your informed opinions, especially as the murmurings in the online world are implying an Oscar victory for the movie at this year’s academy awards.
Here at Escape Studios, we have subscriptions to the most cutting edge Industry publications delivered to our studios each month, and we fist punched the air recently when we saw both an Escape Tutor, AND one of our advisory board members featuring in 3D Artist Magazine and 3D World Magazine respectively.
It’s been an exciting time for students here at Escape. Over the last year we’ve been approached by a number of productions seeking VFX talent. “Through the Breaking Glass” is one such project, officially selected for the 20th Palm Springs International ShortFest.
Escape’s Head of 3D Mark Spevick harbours a special passion for all things Houdini, and last week his skills were called for on the continent, and he ventured to iMasterArt in Turin taly to host a master class with a handful of other pros with experience in all areas of VFX, here are his notes from the trip!
The last couple of months have been really exciting for the VFX community here in London. The industry is incredibly busy, and not only that, but our compositing graduates are in high demand. Turns out, with all the work in town at the moment, skilled Compositors are hard to come by.