Aled Matthews is a Cardiff based 3D Artist currently working with Gala Technologies, he recently took on our 2D and 3D for VFX online taster courses and gave us some insight as to exactly how helpful they were...
What's up folks? If you were at the VFX Festival, you may have seen me, sitting at the back of every talk, splitting my time between attentively heeding every word spoken by our expert speakers, and tapping away on a tablet screen. If you didn't make the Festival then you no doubt would've een the result of my incessant tapping in the form of Tweets and Instagram posts, I hope said posts did indeed convey how absolutely killer those three days really were. It'd be impossible for me to cover everything I saw in a mere blog post, so here's a highlight or two from day one that I'm sure will paint a picture for those who couldn't make it...
It’s hard to conceive, now, of the time when film production and visual effects were an American concern. Not much over a decade ago the majority of big blockbusters shot in and around LA, and effects houses in Malibu or the Presidio gave them their visual oomph. But things have swung so fast and so decidedly towards the UK that it now feels almost quaint to see a film made in the US. Next year’s biggest films – Avengers, Star Wars, Bond, Mission: Impossible – are all based here in Blighty, and more are queuing behind them.
On Friday 5 December, we visited Aardman Animations to celebrate the graduation of 11 students on a 12-week Character Animation course. Now in it’s second year, the course in a collaboration between NFTS, Creative Skillset and Aardman. The mission? The provide animation training that is industry focused and addresses the skills gap for animators in the UK. And from what we saw on Friday, this is just our kind of animation course - the kind where students are supported in realising their career ambition, towards getting a job after they graduate.
On Thursday, 30 October, we were joined by two CG masters, for an insight into their careers working in VFX. Both had very different stories to tell – which given the variety of audience members and interests in the room, was a great opportunity to learn about the scope of the VFX industry and what area an artist may look to specialise in.
You’ve been talking about it, your friends have been talking about it, your friends’ friends have been talking about it, hell I even heard the milkman talking about it the other day, and now the date is finally here. That’s right, it’s time for you to start preparing for the VFX Festival 2015.
If you’re in the business of creative careers, then it’s likely you’ll be aware of Creative Skillset, an organisation that aims to plug skills gaps, identify funding needs, and train, develop and nurture people within creative industries.
Anita, Vania and I were at VIEW Conference in Turin, Italy last week, and on Wednesday I hosted a NUKE Taster day style workshop for a packed house of 35 students. Most attendees came from 3 surrounding animation art schools within the arts centre in central Turin. After the session I had lunch with some of them and discovered that in their foundation year they are learning traditional animation, 3D and filmmaking, then specialising afterwards in 2D or 3D animation for their final project.
Whether you’re a seasoned VFX pro or just entering the industry, it’s highly likely that you would’ve seen and enjoyed the work of Paul Franklin, in fact considering the insane projects he’s been involved with, this blog doesn’t take much writing, so I’ll keep things short and sweet.
The HP ZED London pop up is a rich source of knowledge for those who are considering a career, or are already involved in, the business of VFX.
Compositing Master and long-time friend of Escape Victor Perez, has recently taken a new direction within his artistic career, and after years in the VFX biz, is taking the skills that he has accrued supervising on some huge projects (you may have seen his story on our Escape & Enter site) into the field of film Directing, and at the moment is embroiled in some pretty exciting projects.
"Filmed on location within Tavares Bastos favela, Santa Teresa and The Maracanã in Rio de Janeiro, Brazil. The BBC World Cup 2014 titles visual effects were created by GeeFX Studios. The entire piece was done at 6k resolution, filmed with a Red Epic Dragon. Although only broadcast by the BBC in HD, you can view a 4K version on the RED youtube channel above. In conjunction with The Sex Pixels, Unlimited VFX Limited brought to life the statue of Brazil’s 1958 world cup winning captain, Hilderaldo Luiz Bellini, The Macarana stadium entrance and Brazillian sky were also augmented for dramatic effect.
After 10hr flight and a spot of jet lag kicking in we registered at the one and only SIGGRAPH today in Vancouver (Sunday 10th August)
You may have read that our main man Ash Miles was invited to the private cast and crew screening of Guardians of the Galaxy last weekend, and went along with a number of Escape graduates from MPC who worked on the project. His blog about it got us so excited that we had to get in touch with Adam Dewhirst, escapee and advisory board member who happened to be Framestore's Lead Modeller on the film, to ask a few questions, he was careful not to discuss any spoilers with us so read all about the project below in peace, and discover what it’s like to work on what is soon to be a truly iconic motion picture.