A few weeks ago we launched our Creative Futures report, which looked at people in the creative industry and how they were prepared to take pay cuts and self fund their own training if it meant getting ahead in their careers.
Some of our escapees are appearing in Arch 21 - an exhibition which is showcasing great student projects in architecture and VFX. Carlos Lora is one of the team responsible for organising Arch 21 (Pictured in the very centre) and was a student on our VFX for Production course which finished in April this year. Congratulations to you Carlos, it's quite an acheivement already!
If you're interested in Architecture and VFX, you should definitely go and have a look at the work being exhibited. With over 50 architecture students, graduates and VFX artists presenting their most recent work, it promises to showcase some amazing talent. The exhibition is at Blackhall Studios in Shoreditch from the 3rd to the 14th of August 2011 and is open from 10am to 8pm daily with the closing night being held on Saturday 13th of August.
I was driving home from work last night, and as per usual, I tuned into the PM program on BBC Radio 4. Among the usual daily political squabbles about the Hacking Scandal, the debt crisis in America and the conflicts in Libya and Syria, there was a piece about the 2011 Sats results that caught my attention. Well, when I say "caught my attention", I actually mean that it left me reeling with anger and bemoaning the fact that we so often fail children. Let me explain...
Dom, Mark and I were delighted to play hosts to Ed Vaizey – the UK Minister for Culture, Communications and Creative Industries – yesterday.
A few weeks ago, I wrote about how buoyant the VFX industry is and how Senior NUKE Compositors are in high demand. Well, the surge in demand for mid-level and senior artists is continuing. With some of the biggest releases for 2011 and 2012 (films like The Twilight Saga: Breaking Dawn and War Horse) being worked on in London's Soho, the post houses have never been busier.
Did any of you read this recent story (Private college undercuts on tuition fees) published on the BBC? If you haven’t, it basically focused on the emergence of competition in the education sector from private colleges. The journalist, Sean Coughlan, took the example of the ifs College of Finance in London who recently announced that they would be charging fees of £5,750 to £6,000 per year.
Some of you may have seen a series posts from students' 'coaching diaries' on our blog recently. For those of you who don't know, some of our students studying our classroom courses are being coached by the industry's biggest post houses; The Mill, Double Negative and Framestore. This week, compositing student Clement Roland shares his experience with us.
A few weeks back I took my class to the Natural History Museum so that we could generate some new footage which they could camera track with. It was lots of fun as they not only got to film live-action footage, they knew exactly what they would have to work with when getting back to the classroom. For me, keeping things fresh is important - and so filming new footage for the students to work with is a must. As you can see from the video, we're all pretty excited to be out of the classroom!
When I was picking my GCSE's and A levels I had to pick between two routes, Maths or Art. This I believe, is still the case, but I'd like to ask why?!
An announcement by Edge, the education charity, caught my eye this week. It said that universities should now be required to teach employment skills as part of degree courses. According to its latest study, employers now believe too many graduates are unfit for the workplace.
A few weeks back we told you about our classroom courses being coached by the Industry. One of our students, Alexander Kubinyi, told us about his experience at Double Negative and what it was like to have your reel critiqued by Alex ‘The baron’ Wuttke. This week, we catch up with another escapee who is studying our Compositing Professional Course and is being coached by The Mill. Here’s a snippet from Mary Lapena’s coaching diary.
How would you go about having fun making electronic circuits? How about by combining it with play dough?...
It's almost time for the Lions Advertising Festival in Cannes and production companies and agencies alike will soon flock to this beautiful town in the south of France to network and talk about the work they have been doing during the previous year. It's also a great excuse for three days out of the office drinking wine in the sun.
A while back we told you all about our new ‘Industry Coaching’ scheme which some of our classroom students are fortunate to be part of. For those of you who don’t know, this basically means that some of the major post houses act as mentors for our students throughout the 12 or 18 weeks of classroom study that they embark on when they study with us in London. This means that they get professional feedback and expert industry advice relevant to the field they are going to work in. It’s no surprise to hear that our students are absolutely delighted with it. All of them are they working extra hard to impress but more importantly, they are getting front-line expertise. We caught up with escapee Alexander Kubinyi who told us what the experience was like in his own words.
The Escape University Tour starts up again this month after a short break for Easter. Last week, I was in Ipswich to speaking with students at the School of Arts and Humanities at University Campus Suffolk.
Another one of our Games Art Production course escapees has just landed a job. This time it is Ross Garfoot who just secured a job at Playground Games - well done Ross!
In recent years we’ve seen massive leaps forward in entertainment technology. 3D TV is all the rage and the release of the Nintendo 3DS has given us our first, glasses-free, 3D console. But what does this advance in entertainment technology mean for the Visual Effects industry? According to the latest statistics, the industry in India is set to grow at 18.5% a year - in short, it’s a great time to be working in VFX and 3D in the Indian subcontinent.