Calling all VFX artists! Is it time to take your career to the next level? Learn how to create earth shattering natural disasters, amazing particle flows, beautifully complex dynamic simulations and cataclysmically destructive explosions…without being prosecuted.
A fresh batch of escapees have broken out of the Escape studio and what a talented bunch to emerge, even if we do say so ourselves...
Is your mind a whirling dervish of creativity? Do your ideas formulate out of the blue, and evolve from non-existence to intrinsically detailed visions, in a matter of minutes? Channeling these skills can be an adventure, especially if you enter an industry where the boundaries are seemingly limitless…
It is a truth universally acknowledged that Escape students possess a unique ability to intake an insanely-high level of caffeine. Some claim it assists their CGI wizardry in the classroom, others argue it's due in part to our breakout space housing the largest cappucino machine ever created by mortal hands.
August’s free tutorial goes out to all the Compositors. Take this opportunity to breathe a little life into your projects, using some NUKE trickery. Based on a technique applied while working on Narnia: The Voyage of the Dawn Treader, Compositing tutor and Head of 2D at Escape, Davi Stein looks at how to enhance basic elements within your scene for a more filmic look.
I wanted to share this fantastic image, which shows the men’s 100m Olympic Final in stunning detail.
To mark Escape's 10 year anniversary we decided to give the office a new look. Some of you who have been to our office may remember the funky brown and orange colour scheme gracing our office walls and the old layout of the desks next to our Reception area. Over the past few weeks the Escape office has dramatically changed and now we have a fresh, chic and very cool colour scheme of metallics and white. We've opened up a new area for our main office space and moved the Tech team into their very own area. There are more changes to come - we've got big ideas for the uninhabited space next to the Reception area plus some trendy furniture is arriving from our LA office.
A short time ago, our current students were treated to a presentation from some chaps from Lexhag Visual Effects. Lexhag are a small post production house with in house grading capabilities and benefit from years of on-set experience to create stunning effects for mid-level tv shows, such as Whitechapel and The Fades. We were visted by Effects Supervisor Alexis Haggar, founder of Lexhag and fellow escapee (from way back when), and Senior Producer Dan Marbrook. They took the time to come exhibit some shows they'd worked on, so the Escape Students could see the quality of work a small studio can produce.
Or wanted to be able to say, ‘I did that’, when watching a film and seeing a huge, breath taking explosion? Then maybe you should start to think about pursuing a career in Visual Effects. At Escape Studios, we want to make those first steps into the industry as easy as possible whilst providing you with the tools to succeed. Our Visual Effects Production course will not only give you the skills to progress in the exciting world of Film Visual Effects, but will also show you how to make an impressive show reel (which results in many of our students securing jobs once they have finished.)
Last week I accompanied the current Compositing class on a trip to the MPC studio in London. It's all part of the industry mentoring scheme we're encouraging at Escape, as we work to prepare our students for the working world. With aspirations for one day working in the industry, we feel it's really important for all our students to get a taste for what is expected from them as early as possible in their training. Irene Bonilla was one student who joined us that day, and here's what she had to say about it...
At the beginning of the month we gave a little insight into the world of Escape and how our graduation ceremonies work. As mentioned, we assemble all the different graduating classes into our breakout space, where students and tutors watch what each student has worked on during the first, or last, six weeks of their course.