The world shook in its boots yesterday, as a video of a new American Government project surfaced on the internet, of a real life Decepticon.
Ever peered out of your window and imagined ginormous mega-robots having a scrap on the quiet road below? Well now you can forget imagining and actually watch the drama unfold on your very own computer screen, thanks to this nifty online tool.
If you’ve not had access to the internet over the last week, (why else wouldn’t you be keeping up to date with the hottest VFX blog on the planet?) as well as some highly informative, highly entertaining, VFX related internet titbits, you’ve missed out on a few smashing success stories.
Hasraf Dullul is part of a generation of VFX artists first inspired by the film ‘Bladerunner’, since this early awakening, Hasraf, or Haz, as he is more fondly known by his contemporaries, has assembled a portfolio of some considerable weight; it includes a number of prestigious awards and world renowned projects. Batman: The Dark Knight, Planet Dinosaur and NOVA – Life beyond Earth, not to mention numerous VES (Visual Effects Society) awards nominations!
The most recent fruits of his labour have flourished in the form of his own VFX driven short film, ‘Fubar Redux’, which has been fondly described as ‘Animal Farm meets Platoon’ quite an intriguing round up right? Be sure to check it out here, we think it’s marvellous!
In pursuit of some new blog material, I managed to stumble across this über cool, VFX heavy advertisement. For the most extravagant collection of watches I think I’ve ever seen. And as far as product shots go, this one is a pretty elaborate example.
Escapee Hasraf Dulull's fifteen-minute film is a true work of art! Set in an alternate reality with cats and dogs, it mixes some intense action with some serious drama, all emphatically enhanced by a unique animation visual style.
Get ready for bone crushing monsters in mind blowing HD slow motion next week, as on August 12th, the Discovery Channel (US) is set to broadcast the 25th season of ‘Shark Week’. The resounding success of this series speaking for itself as it celebrates its quarter century anniversary.
I’ve just discovered some news for the British video games industry. In the middle of a double dip recession, there are 2 new studios opening up in the game industry, which is exciting enough, but this comes alongside the recent announcement that Amazon are also opening up a digital media innovation hub in London. This will have a focus on the creation of interactive digital services for games consoles, smart phones, PCs and TV. They are also building new services and APIs behind the company’s digital media.
First we shared the big news that the next release in the Starship Troopers franchise would be a fully CG film, and now we've just heard that the Resident Evil franchise has followed suit, releasing their own fully CG film towards the end of this year. The film, entitled Resident Evil: Damnation, has so far only been given a release date in Japan, which will be towards the end of October on blu-ray and DVD.
OK, you all know by now how much we like talking about certain CG heavy / animation films, and it might be quite obvious why this is. Yes, generally it's because the film features one of our favourite directors, or we love a certain genre, action hero or story line, but another reason for us to get so excited about a new release is for the array of behind the scenes footage for the making of, on how certain sequences were achieved!
The suspense and build up to The Dark Knight Rises is literally killing us at Escape, we are so excited for the release date it's almost agony how slow time seems to be going. It also doesn’t make it any easier that new footage, trailers and behind the scene sneak peeks keep being released!
If we are watching a live action film with actors, it’s very rare that one of the main character features we concentrate on is the hair. Occasionally a judgemental comment of whether it looks good or not is thrown out there but that’s the extent of it. The average viewer will fail to notice if the colour looks wrong in one of the scenes or that it doesn’t look realistic enough.