Cinematic Color: From Your Monitor to the Big Screen, documents current state-of-the-art practices for accurately working with color throughout the visual effects and animation process.
Followers of the Escape Blog may remember that last week, we wrote about a few up and coming films due to hit the screen in early 2013. One that caught our eye in particular, was the Tommy Wirkola directed adaptation of the brothers Grimm fairy tale ‘Hansel & Gretel’.
We were quite pleased this week then, as you’d imagine, when another trailer for the movie, (that, by the way, is aptly titled 'Hansel and Gretel: Witch Hunters') was released as part of a final promotion push by Paramount, before the film’s belated release on the 25th of January.
The film stars Jeremy Renner and Gemma Arterton, and picks up the plot 15 years after the gingerbread house-kidnap trauma, when Hansel and Gretel are fully fledged bounty hunters. Prepare yourself for an array of outrageous weapons, some serious explosions and all enhanced of course by some state of the art 3D!
Happy New Year folks, hope you all got the things you wanted for Christmas. I certainly did; that pony was a long time coming. Let's kick off the new year with another one of my trademark spotlight blogs, focusing on Battlestar Galactica; Blood and Chrome. (Shout out to user DHW who posted about this after my last blog)
It goes without saying that film fans everywhere are looking forward to the release of a vast number of motion pictures in the upcoming year. Over the course of 2012, how many times have we heard the line “I can’t wait for this film to hit cinemas next year!”?
Fancy taking a peak behind the VFX scenes at Framestore's cinema? Framestore are one of the biggest post houses operating on Soho (London's VFX Hub...) today. They've worked on everything from The Golden Compass to Avatar to the Skyfall titles). We're conducting our last Open Day of the year there next Wednesday and we're rather excited about it!
Something Pixar are always great at is sharing their wealth of wisdom with fellow artists. Having come across this wonderful snippet of inspiration the other day, I felt it needed to be shared with all you compositing and VFX artists out there. It’s important to know that even the guys at the top have a tough time!
Last Monday, November 19th, we ran a very popular webinar with Victor Perez, a master when it comes to using Python inside NUKE. A whopping ninety nine people attended this live webinar to hear what Victor had to share, and we’ve had an incredible number of requests from people who couldn’t attend to share the webinar recording. For us, this interest has been very encouraging, and we look forward to bringing you more webinars like this.
How does someone go about getting a Junior Compositor role at an international VFX studio like The Mill? Well in this month’s tutorial Simon Richardson reveals how it all started for him. From experimenting with Adobe’s After Effects at University, Simon was introduced to basic keying techniques in a layer based system. And this was when the seed was planted that would flourish into him conquering NUKE, and working at one of the top VFX studios in the world.
January is fast approaching, and with that brings new year resolutions and ambitions. Looking to the future, you may be keen to find out what you want to do following the end of your studies. Or perhaps you’re keen to change careers or simply enhance the computer graphics skills you already have. With this in mind, it seems there’s no better time to visit our facilities and discover how doing a course at Escape Studios will help you get to where you want to be.
I will happily admit that my taste in what I watch on television has always been teetering on the edge of strange.