The latest version of OCULA has arrived. Last Thursday, 3rd November 2011, The Foundry announced their release of OCULA 3.0, a leading live action, stereo-3D correction and integration toolset for compositors. A production proven tool, OCULA is a plug-in that has been used extensively on major productions such as Avatar, TRON: Legacy, Pirates of the Caribbean: On Stranger Tides and Transformers: Dark of the Moon. For these films, working in stereoscopic 3D had many undiscovered challenges. Over a course of trial and discovery, OCULA has developed into a reliable tool that meets the demands of artists to mend polarisation issues in photographic plates or correct common stereo-3D defects with precise speed and ease.
The more obsevant among you will have noticed that I didn't publish my round up for a couple of weeks - apologies for this, but I decided it was time to take a well deserved holiday. Still, I am back now, and here is my usual Weekly Round-Up of News, with stories that I have picked up over the past week. If you have suggestions for stories I missed, just drop me a line or post a comment.
When we caught up with Maxwell Smith about his new position as a Matchmove Artist at Framestore, he wanted to make it clear that he owed a lot of his success to his tutors Gideon Corby and Dan Shutt. They were ‘his greatest influence’ while he studied here at Escape Studios and according to him are ‘Masters of their craft’. Max proved to be a very talented artist and once he completed his VFX Production course, he actually came to work with us as a studio assistant.
Are you a MARI user or have an interest in MARI, then you may be keen to know that a group of artists are getting together on November 24th in London, Soho for a few beers. The venue is currently top sectret but will be released soon.
Mingle and network with fellow MARI users over a drink. There are a few special gifts up for grabs too.
I've also heard that some of the MARI engineers should be attending, which is a great opportunity to ask those all important questions! Should be quite a geek fest.
There is a new VFX facility in town to have recently opened their doors for business. They are a trio of young visual effects professionals who have proven talents across a range of high profile projects both in the UK and US. This company is the Electric Theatre Collective, and we would like to congratulate them on a very impressive start up. We believe these guys are destined for great things as they venture into the sometimes uncertain territory of running their own facility and build a strong foundation around the name Electric Theatre. We wish Giles Cheetham, James Sindle, Daniel Stanhope Marum and their team every success in the years to come.
I was on the hunt for an appropriate piece of tech to occupy my mind whilst travelling to and from Escape Studios, during my epic commute into London each day and initially the novelty of an iPad seemed the best source of distraction. However after further investigation the answer came in the form of Hugo Guerra (Escape Studios compositing tutor) who, in less than ten minutes, managed to persuade me to spend an extra £600 on an alternative Apple product.
Once again we are going to be running a couple of course specific Open Days for those would like to find out more about our courses and the sort of training we offer here at Escape.
One foggy day in London town, a gaggle of our compositing students congregated for coffee at Oxford Circus.
There’s a new tool on the market that is taking the industry by storm. MARI is the magnificently user friendly 3D paint package that lets an artist spend more time painting and less time battling tech issues. It offers a great many solutions that until now have been missing from comparable applications. Photoshop continues to be an invaluable tool to compositors and motion graphic artists, but MARI has the time saving functionality currently missing.
Last month Henry South, lead texture artist at Framestore, kindly shared 23 MARI tips via twitter over 23 days. For those of you who followed these feeds over the 23 days, thank you for your positive feedback. Your encouraging messages let us know that these little projects are welcomed and necessary.
Here is my usual Weekly Round-Up of News, with stories that I have picked up over the past week. If you have suggestions for stories I missed, just drop me a line or post a comment.
We’re delighted to announce that CG Whiz 2011 is now open! We’re accepting entries from today for the competition, with the winner receiving a 12 week classroom course at Escape Studios and a 12 week placement with The Mill in either its London or LA offices. This is a once in a life time opportunity that could kick start the career of one talented young artist. If you don’t believe us, see what past winners Stu Schwartz and Adam Droy say about what winning has meant for them.
A few weeks back, I presented a webinar on the ‘Key Concepts in Compositing’ and lots of you asked when the video was going to be made available online. Well, now it is and you can watch it here. If you’re not registered on our website, you'll need to sign up first and then log in to watch the video.
Here is my usual Weekly Round-Up of news with the stories that I have picked up over the past week. If you have suggestions for stories I missed, just drop me a line or post a comment.
Creative Futures is a study we recently commissioned to uncover what people in the creative industries really think about training. One of the key factors emerging from the report was that many professionals currently in full time employment, were actively seeking new skills to further their career. In these cases online or evening study are the only option.
Most of you who keep up with industry news will know that compositing skills - in particular NUKE skills - are in very high demand at the moment. There are more jobs out there than candidates, and we have never had so many compositing students studying with us.