If you’ve ever dreamt of becoming an animator, Tracey’s story should help you realise that your dream might be easier to attain than you think.
On Tuesday we, our Recruitment Manager, Garreth Gaydon, and I were let out of the office for the day to go and visit Aardman! I have to say, it was awesome! Based in Bristol, it's a bit of a trek but well worth the effort. They are such a brilliant studio and it's every bit as cool as you'd imagine.
I'm sure many of you will have seen the film medley that represents 25 years of Pixar Animation. Well, it's amazing to be reminded of all their fantastic work - not just the images and characters, but the stories also. They pretty much have it all. I would personally like to thank Pixar for The Incredibles, which for me is unsurpassed. Simply brilliant.
Last night I caught up with Stuart Howard, the Managing Director of a start-up VFX studio that’s doing some great work.
Last Wednesday, Escape Studios had the honour of having Christian Manz, VFX Supervisor at Framestore come into our studios and talk to our students about life in the industry. Christian discussed the bits about the job that are great (Like getting to see your name up on the big screen after arduous months of working on a project) and the bits which aren’t quite so good (Like the long hours). It wasn’t just our students who enjoyed it, we loved it too. Christian’s thirteen year career has been an epic one and his latest contribution to the industry as VFX Supervisor on the latest HP7 is particularly impressive. We spoke to Christian about the highs and lows of his career so far, and what it feels like to have been part of one of the biggest films of our recent times.
I read something last week which made me angry, sad and yet hopeful at the same time… This one is a bit of a long story, and I hope it won’t sound too much like a rant, but I feel I owe it to all the people who, like me, felt rather disappointed when they watched “Wallace And Gromit: The Curse Of The Were-Rabbit”.
Meet our new animation tutor, Alex Williams who comes from a rich tradition of 2D animation. With over 20 years of industry experience that includes work as a storyboard artist, character designer and animator on more than 20 feature films for Disney, Universal, Warner Bros, Fox, DreamWorks and Sony, his film credits include animated masterpieces such as 'Who Framed Roger Rabbit?', 'The Lion King' and 'The Iron Giant'. His most recent work includes animation for the Oscar-winning 'Monster House', as well as 'Harry Potter and the Half-Blood Prince'.
In conjunction with their fantastic upcoming Ray Harryhausen – Myths and Legends Exhibition, the London Film Museum are offering the chance to meet the great man himself.
Frank Frazetta, one of the first and most influential fantasy artists in the industry, died last week aged 82.
Step Seventeen - Right Arm.
Step Sixteen - Left Arm.
Step Fifteen - Feet.
Step Fourteen - Body
Massive Software, developer of the Academy Award®-winning 3D animation software for AI-driven characters, has released Massive 4.0.
For those of you considering working in this thriving, dynamic industry, we’re offering a taster into the world of computer graphics with a range of three-day short courses. They’re a great opportunity to get a better understanding of the career opportunities out there while gaining valuable insight into the industry.
Ptex is a technique for per-face, multi-resolution texture mapping without the need to setup your UV's manually. While the paper by Brent Burley (Walt Disney Animation Studios) and Dylan Lacewell (Walt Disney Animation Studios & University of Utah) has been around for a while, last Friday, Disney released the project as open source.