Most of you who keep up with industry news will know that compositing skills - in particular NUKE skills - are in very high demand at the moment. There are more jobs out there than candidates, and we have never had so many compositing students studying with us.
For some time now, I have been doing a weekly round up of news for our own internal use at Escape Studios. I never actually thought of sharing it more widely until someone pointed out to me last week, that actually, maybe it would be useful to the people who read this blog.
Seems like August was a great month for many of our recent graduates, who were quite literally snapped up as soon as they finished their courses.
MARI is a relatively new piece of software, and is becoming more popular with artists as its reputation for efficiency and adaptability becomes more widely known. As with any piece of new software there is a period of trial and error before you really get to know its full capability. It is in light of this that Henry South, lead texture artist at Framestore, is offering to share his top 23 tips when working with MARI.
Giuseppe Candido is not only a recent character animation course escapee, but now also a very talented animator and a skilled Maya Generalist. He has put together one of the most charming demo reels we have seen here at Escape Studios. Giuseppe combined many of his student exercises into a circus project - creating a stunning short film in the process, and all completed from scratch in just six weeks.
We currently have one final seat available on our hugely popular compositing evening course which is starting this week! This course has been booked up for some time but we have just had a late cancellation which has freed up a space. If you're interested, be sure to contact us straight away. But don't worry too much if you can't make this one, we do have a new round of evening courses starting October for compositing and Maya Core on October 10th.
Here is a bit of Friday eye candy for you...
Changing career is never easy. It takes lots of thought, and above all courage and commitment. But that's exactly what escapee Richard Sowerby did. He sudied multimedia at Cheltenham University and forged a very successful career as a systems/graphics analyst. It took him 7 years to pluck the courage to follow his dream of working in the VFX industry and start looking for courses in compositing. And boy, did his determination pay off!
I'm really honoured to have been asked to join a panel of speakers for a session on Continual Professional Development (CPD) Education and Training at the International Animation Festival (LIAF) in London.
Our friends at Autodesk have just announced that from 27 September 2011, selected 2012 versions of Autodesk software will be available for download for subscription customers. Autodesk Subscription Advantage Packs offer early access to new product enhancements, giving you the very latest in Autodesk software. Subscriptions are available to contract managers, software coordinators or anyone who has been granted access to Autodesk product extensions.
Some of our escapees are appearing in Arch 21 - an exhibition which is showcasing great student projects in architecture and VFX. Carlos Lora is one of the team responsible for organising Arch 21 (Pictured in the very centre) and was a student on our VFX for Production course which finished in April this year. Congratulations to you Carlos, it's quite an acheivement already!
If you're interested in Architecture and VFX, you should definitely go and have a look at the work being exhibited. With over 50 architecture students, graduates and VFX artists presenting their most recent work, it promises to showcase some amazing talent. The exhibition is at Blackhall Studios in Shoreditch from the 3rd to the 14th of August 2011 and is open from 10am to 8pm daily with the closing night being held on Saturday 13th of August.
There is one television series that got us all excited here at Escape Studios this year. I am sure you can already guess which one it is... Yes, you got it, it was The Game of Thrones. There have been many discussions and debates about it over coffee in our office. So much so, that I decided it was time we featured BlueBolt on our blog.
We are proud to congratulate Helen Streeter on her new position as a runner at The Mill. Helen recently completed the character animation course at Escape Studios, and worked hard on putting together a showreel demonstrating her animation skills. The Mill is one of London's leading VFX houses and recently re-opened its film division following strong successes in commercials and music videos. The biggest hurdle in visual effects is always getting that first job and we couldn't be more pleased for Helen - congratulations.
If you want to create a seamless finish for your CG scenes, this is the video tutorial for you. This month, I've created a tutorial that explores how paint effects can be used to embed models into backplate environments simply and easily.
What's in this Tutorial?
First off, we'll take a look at paint effects and will explain how you can paint onto geometry. In order to do this, you’ll need to understand the importance of an object's UV which we will discuss as well. You'll then learn how to access a host of preset paint effect brushes that you can find in Maya.