Character Animation can be a tricky business. The industry is full of talented, creative people who are passionate and dedicated about what they do and this means they often have lengthy careers at the same company they first started out at. So, getting your first break can be tough because when those job opportunities arise, standards are high and so are expectations. Your work really does have to stand out.
If you’ve been thinking of entering CG Whiz 2011, but haven’t submitted your showreel yet, then there is still time. But you’ll have to be quick – the competition closes on Saturday. The standard of this year’s entries is incredibly high, but you shouldn’t let that put you off. Our judges are looking for your potential and creativity, not just good technique. If you think you’ve got what it takes -whatever your talent or specialism- then head to our Facebook page and follow the instructions to upload your reel.
The more obsevant among you will have noticed that I didn't publish my round up for a couple of weeks - apologies for this, but I decided it was time to take a well deserved holiday. Still, I am back now, and here is my usual Weekly Round-Up of News, with stories that I have picked up over the past week. If you have suggestions for stories I missed, just drop me a line or post a comment.
When we caught up with Maxwell Smith about his new position as a Matchmove Artist at Framestore, he wanted to make it clear that he owed a lot of his success to his tutors Gideon Corby and Dan Shutt. They were ‘his greatest influence’ while he studied here at Escape Studios and according to him are ‘Masters of their craft’. Max proved to be a very talented artist and once he completed his VFX Production course, he actually came to work with us as a studio assistant.
I must admit that I had read too many negative reviews about 3D cinema's second coming, to risk the disappointment of ruining my night at the movies. I now bitterly regret doubting James Cameron by seeing Avatar on the small screen, but I had to break this cycle of negativity sooner or later, and figured the dream team of Spielberg, Jackson and Hergé would be a smart bet. After all, if these masters of cinematography and story telling could not deliver - then no one could do.
A few months back FX Guide released an article on The Science of Fluid Sims. If you didn’t manage to catch it at the time, you should definitely check it out now. It is a great read for anyone looking to know a little more about the science and evolution of fluid simulation and what the future holds for its craft. The article should also set you up nicely to understand the importance of what the company Exotic Matter are working towards with their new product Naiad.
SIGGRAPH is the worlds leading conference on computer graphics and interactive techniques. Each year they welcome thousands of artists, research scientists, gaming experts and developers, filmmakers, students and academics to Vancouver from 74 countries around the world.
There is a new VFX facility in town to have recently opened their doors for business. They are a trio of young visual effects professionals who have proven talents across a range of high profile projects both in the UK and US. This company is the Electric Theatre Collective, and we would like to congratulate them on a very impressive start up. We believe these guys are destined for great things as they venture into the sometimes uncertain territory of running their own facility and build a strong foundation around the name Electric Theatre. We wish Giles Cheetham, James Sindle, Daniel Stanhope Marum and their team every success in the years to come.
Yesterday afternoon The Foundry announced the release of KATANA 1.0, the much anticipated look development and lighting tool. In addition to this, The Foundry also shared the news that Industrial Light & Magic (ILM), a Lucasfilm Company, have purchased a licence of this latest version with the hope to boost their production pipeline across their ILM and Lucasfilm companies.
The whole point of CG Whiz is to give talented aspiring artists the kind of exposure necessary to kick-start their career, and there’s no better example of that than the first ever CG Whiz winner, Adam Droy. Following his 2009 success, Adam completed a twelve-week training course with Escape Studios, and now works as a 3D Artist at CG Whiz sponsors The Mill, at its UK studio in Soho, London.
Western Digital, one of the worlds largest hard drive manufacturers, has been badly affected by recent flooding in Thailand where they have two production plants. The one in Bang Pa-in Industrial Park is completely destroyed, with equipment submerged in water. The other in Navanakorn Industrial Park is struggling to keep flooding at bay.
A Softimage UGM in the UK has been a long time coming, something that Autodesk are very aware of. So, we've partnered up with Autodesk to make it happen. We are delighted to announce that Jason “Chinny” Brynford-Jones, Softimage product manager and demonstration guru, is making the trip to London to chair this meeting. It certainly wouldn’t be the same without him. A blast from the past for some of you, “Chinny” has been with the Softimage family for 15 years. He started out as a demonstrator in London and has since gained a reputation as being the cheerful face of Autodesk Softimage. He has been working in Product Management for the last 8 years and is now a Technical Product Manager at Autodesk in Montreal.
Have you ever thought about taking your artistic talent and transferring those skills to VFX? Then the webinar that we’re running on November 10th could be the start of you doing that. For the industry to remain fresh and buoyant, it’s important that there are constant waves of creative and original talent. We always say that creativity is key – if you have that, learning the technical skills is the easy bit. The current growth of the VFX industry in the UK means there is a growing demand for fresh talent. In this webinar I'll look at the potential routes a Fine Art graduate may take into the industry and the transferable, creative skills that will allow them to stand out from the crowd when making the move into this demanding and competitive industry.
BOXX Technologies are bringing a new workstation to the market that aims to boost processing speeds and accelerate workflow. This unique product is kitted out with 2nd Generation Intel® Core™ i7 processor as well as Intel Smart Response Technology, a combination you can’t get elsewhere. It is currently the fastest single socket workstation on the market, with incredible speeds of up to 4.5 GHz. The latest addition to the 3DBOXX XTREME workstations line, it is designed to offer exceptional support for visualisation, modelling, 3D animation and motion media applications.
It turns out that our escapees are never prouder than when they are wearing an ‘escapee’ T-Shirt, as you can see in this photo of Mentored VFX Course student Ricardo Vianna. Whenever I’m out and about in Soho, I’m always surprised by how many escapees stop to tell me that they continue to wear their T-Shirt, even after we have placed them in jobs. Some have mentioned that they’ve even taken them on holiday. All of our Classroom and Mentored Course students get a T-Shirt and they are becoming a bit of a phenomenon – well, put it this way, it’s very easy to spot our graduates when out and about in the industry. It turns out that one of our students has a picture of herself standing outside the pyramids with it on! (Picture coming soon…).
Once again we are going to be running a couple of course specific Open Days for those would like to find out more about our courses and the sort of training we offer here at Escape.