When television orignally began, there was only a handful of black and white channels, horse and carriages wandered down our cobbled streets, and people didn't need the internet because they were too busy feeding their clothes through mangles in caves, or something! The first type of TV shows were comedies, and variety shows, and over time, they evolved into dramas, then slowly into the level of award-winning quality we see today. The internet is following a similar pattern; where as video sites originally appeared so we could swap videos of people falling over and kittens kittening, the medium is steadily evolving to produce high quality dramatic web shows.
Enthralled about the latest instalment of Christopher Nolan’s Batman trilogy? Fancy yourself as a bit of a Bat-fan? Well prepare to eat your words, as this mega (rich) fan eclipses all others, and prepares to embark on a $2 million renovation of his basement, transforming it into a ‘Bat-cave’ themed, home theatre.
The rumours are true - Apple is launching its iPad Mini alongside the iPhone 5 in early Autumn, providing all the same fun gadgetry of a regular iPad but in a neat and compact 7.85 inch tablet. The competition is rife with Amazon and Google spewing out rival devices, including the Kindle Fire and Nexus 7, in preparation for this year's Tablet rush. Apple hopes to squash this competition with the release of the iPad Mini, lending weight to the idea of a ‘budget iPad’ in order to compete with the lower priced android slates creeping into the market.
A short time ago, our current students were treated to a presentation from some chaps from Lexhag Visual Effects. Lexhag are a small post production house with in house grading capabilities and benefit from years of on-set experience to create stunning effects for mid-level tv shows, such as Whitechapel and The Fades. We were visted by Effects Supervisor Alexis Haggar, founder of Lexhag and fellow escapee (from way back when), and Senior Producer Dan Marbrook. They took the time to come exhibit some shows they'd worked on, so the Escape Students could see the quality of work a small studio can produce.
I had the opportunity to watch a VES (Visual Effects Society) preview screening of Pixar’s Brave, a few weeks back. And this screening, like many VES screenings, was a very special one. We were greeted by two guest speakers who had come all the way from the US to answer questions from the London professional visual effects community, and well as some kids along for the ride to see the amazing red locks of the heroine, Princess Merida. Director Mark Andrews and Producer Katherine Serafian provided fascinating trivia about the whole process of making this film.
There have been some exciting changes at Escape Studios recently, and with that we are very pleased to welcome our new Relationship Manager, Anita Gribble. In this role Anita will have two main responsibilities. One is to work closely with post houses up and down the country to continue building on the industry coaching scheme we currently have for our full-time students. As well as this she will be helping to maintain our relationship with recruiters at a variety of post houses to further benefit our students.
Fans of French Electro Duo ‘Justice’ will be content this week as they release the adrenalin fuelled, VFX heavy video for their latest single ‘New Lands’. A brainchild of the bands work with production company ‘CANADA’, this video depicts a violent futuristic combination of American football and baseball, (with some motorbikes thrown in for good measure) VFX company Glassworks Barcelona bring the video to life, with sequences that match, and at some points, (speaking subjectively of course) exceed the excitement of the song.
The art of filmmaking has come a long way over the last 100 years. The technology we use today to create breath-taking scenes continues to push the boundaries of high-definition and realism, but we should never forget the genius of film crews who didn’t have the opportunity to ‘fix it in post’ or rely on computer graphics to set the scene. As lots of you know, some of the best moments in film history were created by filmmakers having to think on their feet, making the best of an impossible situation. And of course there are certain skills that were essential to the filmmaking process back then that will start to be forgotten due to the rise in post-production capabilities and accessibility.
It has been announced this week that MAXON will be releasing CINEMA 4D R14 in September this year. MAXON have almost 20 years of programming innovation under their belts and CINEMA 4D is one of the best known and most successful 3D motion graphics, painting and rendering software applications around.
Ladies and Gentlemen, prepare yourselves and dust off your knives and forks as we are happy to announce round two of the Assimilate and Escape Studios Technology BBQ!
On Thursday the 23rd of August at the Shepherd’s Bar we are hosting a second BBQ with Assimilate and HP, but this time we have also partnered up with NVidia and Red Digital Cinema Professional to showcase a SCRATCH turnkey package exclusive to Escape Studios Technology.