Do you remember when The Buggles were the first video on MTV? Me neither. I wasn’t born!
I will happily admit that my taste in what I watch on television has always been teetering on the edge of strange.
Another month and a half has flown by, and this afternoon we hosted the end-of-course presentation for our latest round of escapees. Gathered in our breakout space, the afternoon has been filled with laughter and applause. The quality of work on show has been, as ever, astonishing—it never ceases to amaze just how far our students progress in such a short period of time; and we feel confident these bright young things now stand in good stead to polish up those all-important industry-cracking showreels.
We are coming up to that time of year, the time of year that fills single people with dread, fills kids with joy and will empty out most people's wallets. Yes we are in the run up to Christmas...in fact you only have 45 days to prepare yourself.
Having just started the VFX for Production course here at Escape Studios, I've been keeping a diary to share how the course is going for me so far. And here's an update on week two. The class is truly in full swing, and when it came to writing my diary, it seemed to be over before I knew it had started. Time flies when you're having fun!
Just over a week ago we let you know that we are hosting “A Pint With The Pixel Farm” an exclusive event in Soho.
The evening of the 21st of November will be the first chance since IBC for the UK users to get up close and personal with The Pixel Farm's new 2d to 3d conversion and depth map creation software, PFDepth. The above video is a little sneak peek of what you can expect to see at The Sun & 13 Cantons, Great Pultney St.
"I felt a great disturbance in the Force, as if millions of voices suddenly cried out in terror and were suddenly silenced."
As Training Advisor here at Escape Studios, I speak with a lot of people looking to take the leap into VFX. Although everyone’s situation differs considerably, I do find that many have the same concerns. So after speaking with past student Ashley Miles about his experience on the VFX for Production course, I thought I should share some pearls of wisdom, to help clear up any concerns you have about embarking on this new career path.
So aside from the other movie news that can, for the next couple of hours at least, remain in a galaxy far far away, there is an excellent cinematic prospect around the corner, as it surfaced online this week that the Sin City sequel has started shooting. It appears there is still some casting to be done though…
We hit a Social Media milestone last week, obtaining our 10,000th follower on Twitter...10,000! So to celebrate this, we thought it only right to catch up with the man who took us to the 10,000 mark.
Thinkbox, the makers of Deadline & Krakatoa, have developed a large number of application and plugins designed to extend existing pipelines and operate seamless with each other to create new workflows. Many of the software platforms that Thinkbox have created started in-house to refine dozens of VFX feature films over 15 years of production.
The Mill recently completed a commercial for US client Norfolk Southern, showcasing the transformative power of freight shipping. Being a rather stunning piece of work, you may be interested to know that this project was rendered primarily using Mental Ray, taking advantage of the newish unified sampling feature.