“The decisive moment. It is the simultaneous recognition, in a fraction of a second, of the significance of an event as well as the precise organization of forms which gives that event its proper expression” Henri Cartier-Bresson
Honestly this is not about the supermarket chain Iceland but did you like what we did there? We do have our moments.
Anyway… in the past 10 or so years Iceland has become a hotspot for movie and TV shoots, and after seeing these photos we aren’t surprised!
Batman? The Dark Knight? Wonder Woman? Not really, but these incredibly detailed, hand-crafted finger puppet designs by Tamara Maynes recall iconic heroes and villains who we’ve seen in the pages of comic books and as blockbusters on the big screen.
Yesterday Maurice Sendak, author and illustrator of the children’s classic book Where The Wild Things Are, died. Famous through his writing and illustrating, Sendak published a number of children’s books, wrote and designed three animated stories and his final book “Bumble Ardy” was an adaption of a collaboration between Sendak and Jim Henson from kid’s TV favourite Sesame Street.
2D or 3D - which camp are you in? This age old fight is battled out by two of our studio assistants and it seems, there is a rather heated argument for both. I'll leave it up to the guys to convince you either way. If however, we can't resolve it in this post, a mud wrestle might be the only answer.
For Softimage fans out there, you may be glad to hear that the loyal community of Softimage users are regrouping. Under the new name Softimage Creatives (SiC), this is an independent user group based here in London. Following a user group meeting held last November, a discussion began to revive the community among Softimage users. Six industry professionals expressed their interest in helping make this a reality, and with the support of Escape Studios SiC London was born.
I recently went to see the Lucian Freud Portraits exhibit at the National Portrait Gallery. Wow! Intense, raw paintings that reflected his relationship to his sitters. I actually quite liked his early portraits that were very flat in dimension and lacking perspective in a stylised way. He painted the eyes of the faces quite large and dominant in the frame. But in most cases looking away, or 'blankly' towards the painter. This created for me a disturbing yet intriguing relationship between the viewer of the painting, me, and the personality of the person he is trying to portray. When we look at portraits or a picture of a person, we tend to look at the eyes first to connect in some way. Not being able to do that created a whole new approach of portraiture that I do not see often. Their eyes were wide, but not allowing a connection. The faces were rarely smiling and this one is a great example.
This is just a little reminder that the release of Adobe CS6 is just around the corner, but for those of you itching to upgrade, you should think about getting round to it soon. Adobe are currently running a pretty good upgrade promotion that will keep you up-to-date with the latest and greatest features in Adobe Creative Suites. When you buy a full CS5.5 license between now and May 6th, you get an upgrade to CS6 absolutely free. Just to be clear, this will also save you money, as the CS6 price will undoubtedly be significantly higher. That’s a good incentive if ever I heard one, for upgrading now!
Have you ever wondered what would’ve happened if the script for Jaws was developed by Disney execs rather than Universal Pictures? Well, wonder no longer. For your entertainment on this rather gloomy Monday afternoon, I wanted to share this hilarious concept with you all. Found on YouTube earlier, take a look at a Disney’fied trailer of the 1975 classic. Spielberg possibly missed out on a golden opportunity here for a PG remake.
I am part of a generation that has been particularly spoiled by the advances in stop motion animation. I remember watching TV shows like Noddy, Fireman Sam, Pingu and Postman Pat and films like The Nightmare before Christmas, James and the Giant Peach and Chicken Run as a kid and being in complete awe.
Here is an amazing chap called Michael Hansmeyer. Michael studied as an architect and programmer. He explores the use of algorithms and computation to generate architectural forms for artistic and commercial purposes.
The images of the forms that he creates are very intricate and beautiful...check them out.
Journey is the visually stunning online game that has the gaming community in awe. From the creators of Flow and Flowers, thatgamecompany continue to further their ambition to make games that push the boundaries of interactive entertainment, offering meaningful and enriching experiences that inspire the people who play them.
Today, 16th April, we would like to take a moment to remember Charlie Chaplin, the hugely creative and influential personality of the silent-film era. It is his 123rd birthday and still to this day he is celebrated the world over for his contribution to film during a career that spanned over 75 years. Best known as a comic-actor, Chaplin also wrote, directed, produced and scoured over 80 films. He also served as an on-set hairdresser from time to time.
Last week Claire Anderson, Talent Manager at The Mill divulged some of the greatest tips and tricks young artists need to apply in order to cut it in the VFX Industry. I have to say; I couldn’t help but feel a little awestruck listening to our Training Manager and Claire chat away during the 40 minute webinar because of the room we were stationed at. It was like something from a bond movie – check out the pictures! Filled with The Mill’s previous conquests (let’s be clear that I’m talking about Oscars and Bafta’s here….) I kept expecting a drinks cabinet and a man with a white cat to appear from behind one of the walls. One thing’s for sure, The Mill certainly know what they’re talking about and have the awards to prove it.
Being relatively new to CG and to Escape Studios I am still astounded by the standard of work that comes from our students. Despite studying Media Production at University, where I majored in Scriptwriting, I never knew the actual amount of effort that goes into creating CGI. It gives me a completely new perspective on everything that I watch in the cinema and at home on TV.
The quality of work that our students create during their Visual Effects Production course is always awesome and there's no doubt it's getting better and better. When you consider that every student doesn't just attend their daytime lessons. They have to find, track, model, light, texture, render and composite a shot in just 6 weeks that shows the extent of their ability. One of our former students and now Studio Assistant Ashley Miles remembers how stressful it can get.
When Sue Rowe, Cinesite’s senior VFX Supervisor on John Carter, came in to talk to our students it was like a breath of fresh air. Reassuringly, despite having masses of technical and creative responsibility, her fundamental joy is much the same as the students studying with us – that blowing stuff up is what still excites her.