The office here at Escape is usually bustling with an array of different musical sounds, and it’s rare we fully agree on what radio station to keep on for more than an hour and a half.
"remember, the Death Star’s power to destroy a planet is insignificant next to the power of the force"
We’re well aware that this is rather old news, but what kind of film loving bloggers would we be, if we didn’t share a story about the United States receiving a petition to build an Empire Inspired Death Star?
Cinematic Color: From Your Monitor to the Big Screen, documents current state-of-the-art practices for accurately working with color throughout the visual effects and animation process.
It goes without saying that film fans everywhere are looking forward to the release of a vast number of motion pictures in the upcoming year. Over the course of 2012, how many times have we heard the line “I can’t wait for this film to hit cinemas next year!”?
Having started a VFX course here at Escape Studios, I’m keeping a diary to share with you how the course is going so far. And here's an update on week nine
Many 3D fans will be aware of the power of Maya, and the influence it has on the world of VFX, from blockbuster films to major games series, Maya is one of the most incredible creative tools on the planet. But like a pack of Arctic Huskies, it demands time and attention if you wish it to take you voyaging across the vast plains of 3D.
Just when you thought Hollywood couldn’t create VFX on a larger scale than Cloverfield or Transformers, this trailer is released, for ‘Pacific Rim’, and it really takes the biscuit!
Directed by the world renowned Guillermo del Toro, this is a tale of wait for it, giant robots made by humans, fighting giant monsters that have arrived through a time portal at the bottom of the sea - Sounds crazy right? Check out this trailer and if you plan to go to see this at the cinema, be sure to prepare yourself for some bone crushingly epic VFX sequences.
This was the 9th iteration of the CVMP conference, and it certainly lived up to its billing. The conference struck just the right balance between academic research and commercial production, providing a hugely rich and diverse array of ideas, challenges, successes and future endeavours.
Fancy taking a peak behind the VFX scenes at Framestore's cinema? Framestore are one of the biggest post houses operating on Soho (London's VFX Hub...) today. They've worked on everything from The Golden Compass to Avatar to the Skyfall titles). We're conducting our last Open Day of the year there next Wednesday and we're rather excited about it!