Ska loving escapee Leo Neelands made a career change but 7 years ago, when upon the word of a trusty friend who recognised the potential of his artistic skills, he made his way down to London with nothing but a Wacom tablet and pen in his bindle and a bucket load of raw talent in his brain.
Our friends over at View Conference Italy, last week unveiled that they will be providing cash prizes for winners of their different awards. The prizes vary from top of the range tablets to a lump sum of 2000 Euros. The categories for application are as follows (complete with direct links)
I really like how Michael Rigley has used 3D in a very creative, non-conventional visual effects project for his thesis.
Fans of 3D and users of Photoshop will be delighted this week, with the announcement that 'Photoshop CS6 Extended' is on the market, it allows you to create 3D shape text using extrusions as a 3D layer... "similar to CS4 Extended" I hear you say! But alas, according to this write up, we are told that this works far more 'natively', with 'the usability you’d expect from an integrated Adobe toolset'.
Here's something you may not know. Ireland has a booming animation industry. No I didn't know that either until I went to the Cartoon Finance conference in Dublin last year. In fact the animation industry is doing so well, that in the face of the downturn, it has become one of their major exports. At the conference, it was quipped that the animators are now the ones with the proper jobs.
The office here at Escape is usually bustling with an array of different musical sounds, and it’s rare we fully agree on what radio station to keep on for more than an hour and a half.
"remember, the Death Star’s power to destroy a planet is insignificant next to the power of the force"
We’re well aware that this is rather old news, but what kind of film loving bloggers would we be, if we didn’t share a story about the United States receiving a petition to build an Empire Inspired Death Star?
Cinematic Color: From Your Monitor to the Big Screen, documents current state-of-the-art practices for accurately working with color throughout the visual effects and animation process.