I was just looking over some of the people in our alumni group on LinkedIn and it was great to see the amazing list of companies Escapees are working at. To the have the CG industries peppered with so many people from our courses is a great feeling and we'd love to hear from anyone who isn't in the group so we can see where you are and what you've been up to.
Judging by the high number of re-tweets and Facebook shares of the story I posted on October 19th about Mandelbrot, I figured this was a subject that interested many of you. I am glad I am not the only one!
I came across a tidbit of trivia the other day about Salvador Dali that set me on a little 'surf fest' on this incredible artist.
I read something last week which made me angry, sad and yet hopeful at the same time… This one is a bit of a long story, and I hope it won’t sound too much like a rant, but I feel I owe it to all the people who, like me, felt rather disappointed when they watched “Wallace And Gromit: The Curse Of The Were-Rabbit”.
Today, we are launching two brand new online courses. One is an advanced ZBrush course for professionals; the other is a Character Animation course for 3D novices.
So a year on from the opensource announcements made by numerous studios the move seems to be going well. A lot of major facilities are opening up the process and offering solutions the most well known is probably OpenExr by ILM but numerous other facilities have begun releasing software and specs back to the community.
Our CG Whiz competition got us thinking about what our favourite CG films and scenes of all time are. One thing led to another, much "debating" took place around the office and then we thought it would be best to let our Twitter followers have the last say. After being inundated with many great suggestions from them, here are the top five.
We've just launched some new short courses which are going to be taking place here at Escape before Christmas. Each of these consists of five days intensive full-time classroom training from one of our industry professional tutors.
We have four courses on offer, and they are...
According to Variety we have been saved from yet more badly converted stereo films - check out the story here. Warner Brothers have canned the release of Harry Potter Deathly Hallows part 1 in 3D. This is due to quality issues, that were mainly due to time constraints, and Warner have come to the conclusion that the converted film was not high enough quality. I can only applaud them for not releasing yet another stereo nasty.
I will be holding a free live webinar on November 4th. Here's a quick outline of what I will be discussing.
Here is another great piece of animation, created by Plato Art Space. It could almost have been created for Escape!
Skillset have recently announced a new funding scheme which will allow individuals working in the UK film industry to apply for a bursary towards various types of training. The scheme is aimed at increasing the high-end visual effects skills within the film industry so individuals who want to get additional training under this new funding can identify a course or a training provider that meets his or her needs and apply for bursary from Skillset.
I find it really annoying when I find freebies that are ‘for a limited time only’, and it’s something we’ve been guilty of with our free tutorials. We’ve had some great feedback about them, and with that in mind we've decided to revamp the way our freebies work.
When Nik Illingworth came to an Open Day last year, he was brimming with CG enthusiasm. He knew that he wanted a career in VFX but didn't really know how he was going to make it happen. After studying for 12 weeks with us, Nik was up and running. He finished his course, was offered his first job at Frametore and accepted it, then a short while later he decided to come back to us for 6 weeks of final professional training. He's now Effects Technical Director at MPC and still has the same love for the industry that he started off with. Nik's is one of many stories of CG enthusiasts who come to study with us and that's why we wanted to share his case study with you - getting a career in VFX off the ground really is easier than you think.