I just wanted to point you towards this article which discusses the amazing title sequence for Scott Pilgram. When I was a student wanting to get into the industry I found out about Shynola (a collective group of visual artists who have collaborated on a variety of projects) when a brilliant but very strange music video was produced by Unkle called "eye for an eye". When I came across this article of how Shynola worked with the Edgar Wright the director of Scott Pilgram, I decided to have a look.
You can really impress future employers by taking advantage of our two expert tutorials this month. Taken from our Character Animation Foundation and ZBrush for 3D Artist courses, they are designed to give you pro-skills in very specialised areas.
Today, we are launching two brand new online courses. One is an advanced ZBrush course for professionals; the other is a Character Animation course for 3D novices.
A couple of weeks ago, we featured the work of Tracey Chung, who recently completed our Character Animation course. Tracey has been very busy since then working on her showreel, and we will keep you updated on her progress. But what I want to share with you today is a bunch of illustrations that Tracey created one day when she was clearly missing us all at Escape.
I will be holding a free live webinar on November 4th. Here's a quick outline of what I will be discussing.
"Dad, can we go to the cinema?" Yes it was that time of the summer holidays when the children will do anything to get out of the house. I exclaimed "But we have already seen everything that's any good!"
Hollywood's most successful cartoon rabbit is getting his turn to shine in the new 3D entertainment medium, as Warner Bros has confirmed the making of a 3D Bugs Bunny movie. It won't be the first time Bugs has been on the big screen. In 2003 he made a silver screen success out of Looney Tunes: Back In Action, and who could forget the time he starred alongside Michael Jordan in Space Jam? We spoke to Alex Williams our new Animation Tutor to get his opinion on 3D characters and whether this means that the animation industry is changing for good.
I spent my weekend at IBC in Amsterdam, poor me I hear you cry!
Stereographic: looks like this time it might be here to stay. But with differing techniques in post and production and delivery mechanisms still in flux who's getting it right?
Meet our new animation tutor, Alex Williams who comes from a rich tradition of 2D animation. With over 20 years of industry experience that includes work as a storyboard artist, character designer and animator on more than 20 feature films for Disney, Universal, Warner Bros, Fox, DreamWorks and Sony, his film credits include animated masterpieces such as 'Who Framed Roger Rabbit?', 'The Lion King' and 'The Iron Giant'. His most recent work includes animation for the Oscar-winning 'Monster House', as well as 'Harry Potter and the Half-Blood Prince'.
In conjunction with their fantastic upcoming Ray Harryhausen – Myths and Legends Exhibition, the London Film Museum are offering the chance to meet the great man himself.