My cousin - David Itzcovitz - went to Israel last month and he took a series of photos, which he then processed to give this strange look. The process he mimicked in After Effects is called tilt-shift and is usually achieved by using a tilt-shift lens (lensbaby). This puts the focal plane at a strange angle to the film and as a result, you get this strange depth of field effect which makes big things seem like miniatures.
Shapes In Motion was founded in 2010 by Sarah Perry who is not just an actor but an acting and movement coach. Having met Sarah recently at Escape Studios I wanted to tell you more about the interesting coaching work she does with animators. Sarah has been working in the visual effects industry in various tutoring/coaching capacities on a freelance basis since 2008, with recent clients including MPC and Double Negative.
Everyone likes to make a saving where they can, that's why we offer all students paying their full course fee's three months in advance, an early-bird discount of £500.
Here is my usual Weekly Round-Up of news with the stories that I have picked up over the past week. If you have suggestions for stories I missed, just drop me a line or post a comment.
Following on from last week's announcement about our Weekly Round-Up of news, here are the stories that I have picked up over the past week. If you have suggestions for stories I missed, just drop me a line or post a comment.
For some time now, I have been doing a weekly round up of news for our own internal use at Escape Studios. I never actually thought of sharing it more widely until someone pointed out to me last week, that actually, maybe it would be useful to the people who read this blog.
On Tuesday the 30th of August Twitter streams of digital artists across the globe were buzzing with news of Wacom's new baby - the #Inkling. Everyone who currently draws digitally using the Wacom tablet, will be familiar with its advantages over the mouse, however, if the Inkling lives up to its anticipated hype, it will make creating digital drawings easier, more immediate and vitally speed up your workflow.
Giuseppe Candido is not only a recent character animation course escapee, but now also a very talented animator and a skilled Maya Generalist. He has put together one of the most charming demo reels we have seen here at Escape Studios. Giuseppe combined many of his student exercises into a circus project - creating a stunning short film in the process, and all completed from scratch in just six weeks.
I'm really honoured to have been asked to join a panel of speakers for a session on Continual Professional Development (CPD) Education and Training at the International Animation Festival (LIAF) in London.
Both animation enthusiasts and novices alike, will be delighted by The Barbican Centre's brilliant animation show Watch Me Move. From Winsor McCay's 1914 classic Gertie the Dinosaur, to Steven Spielberg's T Rex in the 1993 blockbuster Jurassic Park, the exhibition educates and entertains in equal measure.
We are proud to congratulate Helen Streeter on her new position as a runner at The Mill. Helen recently completed the character animation course at Escape Studios, and worked hard on putting together a showreel demonstrating her animation skills. The Mill is one of London's leading VFX houses and recently re-opened its film division following strong successes in commercials and music videos. The biggest hurdle in visual effects is always getting that first job and we couldn't be more pleased for Helen - congratulations.
The Animation Festival ‘Annecy’ invited me to give a talk about my career as an animator and to lift the lid on a few Animation Mysteries as well. As much as I love working at Escape Studios, it was great to talk about my life as a freelance animator and some of the jobs that have shaped my career like ‘Who Framed Roger Rabbit’ and ‘The Lion King’. It was also nice to see that people were interested in this too!
There are some key compositing concepts that every artist just starting out in the industry should know about. That’s why I have decided to put this webinar together. I will walk you through those concepts, concentrating on a shot that involves Roto, Paint and Rig removal. This is something that I cover in great detail in the Compositing for Production Course that I teach at Escape Studios. I teach about all the techniques that our students will be required to use when they get a job in the industry. This practical knowledge is essential and my aim for this webinar is to give you a taste of these techniques helping you to stand apart from the competition.
We're very proud of the work we do here at Escape Studios but we probably don't show enough of our students' work. Over the coming months we're going to be featuring much more student work on our website but in the meantime I wanted to start showing some of the reels from our most recent graduates.
The new course announcements are coming thick and fast at the moment, having recently launched our new Compositing Professional course I'm really pleased to announce the launch of our new 18-week Visual Effect Animation Professional course.
Evgenia Golubeva recently finished our Character Animation course with us and has very quickly landed a commercials job at Partizan Lab in Soho on the strength of her excellent demo reel. She has also recently put together a short film titled "Hold Me Clothes", a stop-motion film written by her and animated in just one day at a recent film festival in Italy.
Another one of our Games Art Production course escapees has just landed a job. This time it is Ross Garfoot who just secured a job at Playground Games - well done Ross!