Both animation enthusiasts and novices alike, will be delighted by The Barbican Centre's brilliant animation show Watch Me Move. From Winsor McCay's 1914 classic Gertie the Dinosaur, to Steven Spielberg's T Rex in the 1993 blockbuster Jurassic Park, the exhibition educates and entertains in equal measure.
We are proud to congratulate Helen Streeter on her new position as a runner at The Mill. Helen recently completed the character animation course at Escape Studios, and worked hard on putting together a showreel demonstrating her animation skills. The Mill is one of London's leading VFX houses and recently re-opened its film division following strong successes in commercials and music videos. The biggest hurdle in visual effects is always getting that first job and we couldn't be more pleased for Helen - congratulations.
The Animation Festival ‘Annecy’ invited me to give a talk about my career as an animator and to lift the lid on a few Animation Mysteries as well. As much as I love working at Escape Studios, it was great to talk about my life as a freelance animator and some of the jobs that have shaped my career like ‘Who Framed Roger Rabbit’ and ‘The Lion King’. It was also nice to see that people were interested in this too!
There are some key compositing concepts that every artist just starting out in the industry should know about. That’s why I have decided to put this webinar together. I will walk you through those concepts, concentrating on a shot that involves Roto, Paint and Rig removal. This is something that I cover in great detail in the Compositing for Production Course that I teach at Escape Studios. I teach about all the techniques that our students will be required to use when they get a job in the industry. This practical knowledge is essential and my aim for this webinar is to give you a taste of these techniques helping you to stand apart from the competition.
We're very proud of the work we do here at Escape Studios but we probably don't show enough of our students' work. Over the coming months we're going to be featuring much more student work on our website but in the meantime I wanted to start showing some of the reels from our most recent graduates.
The new course announcements are coming thick and fast at the moment, having recently launched our new Compositing Professional course I'm really pleased to announce the launch of our new 18-week Visual Effect Animation Professional course.
Evgenia Golubeva recently finished our Character Animation course with us and has very quickly landed a commercials job at Partizan Lab in Soho on the strength of her excellent demo reel. She has also recently put together a short film titled "Hold Me Clothes", a stop-motion film written by her and animated in just one day at a recent film festival in Italy.
Another one of our Games Art Production course escapees has just landed a job. This time it is Ross Garfoot who just secured a job at Playground Games - well done Ross!
Are you looking for a job in the CG Industry? Here at Escape Studios Recruitment, we’ve never been busier. It’s a great time for the UK Post-Production industry and we have been inundated with requests for professional artists.
When Victor Perez finished our 12-week Compositing for Production course last year, we knew that he was destined for great things. Since completing the course he has worked for an impressive range of companies - most of the post houses in Soho in fact - and is absolutely loving it. Victor was born to be a compositor -it's just in his blood. He's been hooked since his early days watching Star Wars. For Victor being able to use his artistic and technical skills to tell a story is one of the most important aspect of what he does -he's definitely in the right job then!
We're really pleased to show you the trailer of a new short film project by Billy Lumby titled 'God view'. Billy approached Escape Studios to help him out with some of the visual effects work on the project. I'm not going to give away any of secrets of the project but you'll see it's a great concept and some really interesting techniques were used to create the film's final look.
This week Escape is very pleased to welcome Mark Pascoe from Rushes to speak to our current classroom students. Mark joined Rushes 5 years ago off the back of the Visual Effects Production Grade course at Escape, doing the Maya comprehensive course before that. He is currently in the Film and TV department at Rushes, taking up a technical role on projects. He has also been nominated for an Emmy for Outstanding Visual Effects in a Series.
As we move from January into February we’re left with no doubt that 2010 is well and truly behind us. What have we achieved this year? What did we create? Well, apart from 13 magazines – the creation was solely in your hands.
I just wanted to point you towards this article which discusses the amazing title sequence for Scott Pilgram. When I was a student wanting to get into the industry I found out about Shynola (a collective group of visual artists who have collaborated on a variety of projects) when a brilliant but very strange music video was produced by Unkle called "eye for an eye". When I came across this article of how Shynola worked with the Edgar Wright the director of Scott Pilgram, I decided to have a look.
You can really impress future employers by taking advantage of our two expert tutorials this month. Taken from our Character Animation Foundation and ZBrush for 3D Artist courses, they are designed to give you pro-skills in very specialised areas.
Today, we are launching two brand new online courses. One is an advanced ZBrush course for professionals; the other is a Character Animation course for 3D novices.
A couple of weeks ago, we featured the work of Tracey Chung, who recently completed our Character Animation course. Tracey has been very busy since then working on her showreel, and we will keep you updated on her progress. But what I want to share with you today is a bunch of illustrations that Tracey created one day when she was clearly missing us all at Escape.