The office here at Escape is usually bustling with an array of different musical sounds, and it’s rare we fully agree on what radio station to keep on for more than an hour and a half.
While the days are cold, the nights are long, and we’ve seen the back of Christmas and New Year festivities, at one point or another, we all find ourselves daydreaming about the return of the summer sun. The smell of sun cream, the call of the beach, and the excuse to whack on a pair of shades, making ourselves look AT LEAST 20% cooler, is but a dream away at this, the tail end of January.
Cinematic Color: From Your Monitor to the Big Screen, documents current state-of-the-art practices for accurately working with color throughout the visual effects and animation process.
Happy New Year folks, hope you all got the things you wanted for Christmas. I certainly did; that pony was a long time coming. Let's kick off the new year with another one of my trademark spotlight blogs, focusing on Battlestar Galactica; Blood and Chrome. (Shout out to user DHW who posted about this after my last blog)
It goes without saying that film fans everywhere are looking forward to the release of a vast number of motion pictures in the upcoming year. Over the course of 2012, how many times have we heard the line “I can’t wait for this film to hit cinemas next year!”?
Having started a VFX course here at Escape Studios, I’m keeping a diary to share with you how the course is going so far. And here's an update on week nine
Just when you thought Hollywood couldn’t create VFX on a larger scale than Cloverfield or Transformers, this trailer is released, for ‘Pacific Rim’, and it really takes the biscuit!
Directed by the world renowned Guillermo del Toro, this is a tale of wait for it, giant robots made by humans, fighting giant monsters that have arrived through a time portal at the bottom of the sea - Sounds crazy right? Check out this trailer and if you plan to go to see this at the cinema, be sure to prepare yourself for some bone crushingly epic VFX sequences.
This was the 9th iteration of the CVMP conference, and it certainly lived up to its billing. The conference struck just the right balance between academic research and commercial production, providing a hugely rich and diverse array of ideas, challenges, successes and future endeavours.
Fancy taking a peak behind the VFX scenes at Framestore's cinema? Framestore are one of the biggest post houses operating on Soho (London's VFX Hub...) today. They've worked on everything from The Golden Compass to Avatar to the Skyfall titles). We're conducting our last Open Day of the year there next Wednesday and we're rather excited about it!