Not many traditional artists ever imagine that they’d be able to transfer their artistics skills from the studio to the computer but in fact it’s quite the opposite. The current growth of the VFX industry in the UK means there is a growing demand for fresh creative talent. Learning the skills is the easy bit; it’s the creativity that the industry is looking for and that really is something that you’re born with.

I'm really pleased to bring you a first look at one of our student's work from our new Compositing Professional 18-week course. Carlos finished the course in August and after taking a well earned short break he has already secured an internship working as a Paint Artist on MARI at The Foundry.

Everyone likes to make a saving where they can, that's why we offer all students paying their full course fee's three months in advance, an early-bird discount of £500.

Since the introduction of HD to our television screens, we’re starting to see a huge push from a number of channels to deliver a broader range of quality viewing in HD, and the BBC are no exception. Their latest project Planet Dinosaur aired on BBC ONE from September 14th and is an exceptionally ambitious six part series, exhibiting the findings from dinosaur research over the past decade. Each episode is entirely computer generated, and it was one lone company based in London that produced this work completly in house. The company I’m referring to is Jellyfish Pictures, and we at Escape Studios were involved with kitting them out in preparation for this difficult project. Jellyfish now have a completely up to date system, and are in a great position to offer future clients the very latest software and hardware, putting them ahead of the rest for a couple of years.

Look at this lovely new shiny tablet. Well this beautiful iPad could be yours by simply filling out a quick survey. Not a rambling, multi-page behemoth, but a quick four question one. Two drop down questions and two check box's which take less than a minute to complete - if you don't believe me look at the screenshot below!

There was a great article on FX Guide on Fluid Simulation recently. It's a computational issue that has been around for quite some time now and clearly it's something that the makers of big packages like Maya and Houdini cannot focus 100% of R&D time on.

Autodesk have an awesome competition running at the moment, with great prizes for the winning and runner-up entries. They are calling out for submissions of a scene or design created on either 3ds Max 2012 or 3ds Max Design 2012. The winning entry will be featured on the 3ds Max Design 2012 box cover and splash screen. Entries will not be judged on production quality, but rather on imagination, innovation and an ingenious use of the Max logo. They are looking for inventive concepts or renderings of architectural designs as well as mechanical or industrial production design. So be adventurous.

Creative Futures is a study we recently commissioned to uncover what people in the creative industries really think about training. One of the key factors emerging from the report was that many professionals currently in full time employment, were actively seeking new skills to further their career. In these cases online or evening study are the only option.

Pixar, renowned for their cutting edge animation, know better than anyone the advantages of saving time where possible. The technical directors and supervisors on Cars 2 were faced with the challenge of building locations for this feature length animation. Those of you who have seen the sequel will remember that the lead character, Lightning McQueen, is being sent around the globe to race in the world Grand Prix. The challenge for the Pixar creative team was to build recognizable cities, on a very broad scale.

For those of you who have always dreamt of using MARI, now is your chance. The Foundry and Escape Studios are running two training programs, each broken down over two evenings for MARI and the NUKE <> MARI bridge, both held at Escape Studios.