Are you a MARI user or have an interest in MARI, then you may be keen to know that a group of artists are getting together on November 24th in London, Soho for a few beers. The venue is currently top sectret but will be released soon.
Mingle and network with fellow MARI users over a drink. There are a few special gifts up for grabs too.
I've also heard that some of the MARI engineers should be attending, which is a great opportunity to ask those all important questions! Should be quite a geek fest.
Join The MARI Massive
Escape Studios Welcomes Phil Darkin
We would like to officially welcome the latest member to the London Escape Studios team.
The Electric Theatre Collective; New VFX Facility Now Open In Soho
There is a new VFX facility in town to have recently opened their doors for business. They are a trio of young visual effects professionals who have proven talents across a range of high profile projects both in the UK and US. This company is the Electric Theatre Collective, and we would like to congratulate them on a very impressive start up. We believe these guys are destined for great things as they venture into the sometimes uncertain territory of running their own facility and build a strong foundation around the name Electric Theatre. We wish Giles Cheetham, James Sindle, Daniel Stanhope Marum and their team every success in the years to come.
KATANA Demo at NAB 2011
Check out this KATANA Demo by Andy Lomas (Product Manager for KATANA at The Foundry) at NAB 2011 earlier this year, prior to yesterday’s version 1.0 release.
KATANA 1.0 Release: Andy Lomas Q&A
Yesterday afternoon The Foundry announced the release of KATANA 1.0, the much anticipated look development and lighting tool. In addition to this, The Foundry also shared the news that Industrial Light & Magic (ILM), a Lucasfilm Company, have purchased a licence of this latest version with the hope to boost their production pipeline across their ILM and Lucasfilm companies.
What Would Winning CG Whiz Do For You?
The whole point of CG Whiz is to give talented aspiring artists the kind of exposure necessary to kick-start their career, and there’s no better example of that than the first ever CG Whiz winner, Adam Droy. Following his 2009 success, Adam completed a twelve-week training course with Escape Studios, and now works as a 3D Artist at CG Whiz sponsors The Mill, at its UK studio in Soho, London.
Potential Shortage of Hard Disk Drives
Western Digital, one of the worlds largest hard drive manufacturers, has been badly affected by recent flooding in Thailand where they have two production plants. The one in Bang Pa-in Industrial Park is completely destroyed, with equipment submerged in water. The other in Navanakorn Industrial Park is struggling to keep flooding at bay.
iNuked: Part 1
I was on the hunt for an appropriate piece of tech to occupy my mind whilst travelling to and from Escape Studios, during my epic commute into London each day and initially the novelty of an iPad seemed the best source of distraction. However after further investigation the answer came in the form of Hugo Guerra (Escape Studios compositing tutor) who, in less than ten minutes, managed to persuade me to spend an extra £600 on an alternative Apple product.
Autodesk Softimage UGM This November
A Softimage UGM in the UK has been a long time coming, something that Autodesk are very aware of. So, we've partnered up with Autodesk to make it happen. We are delighted to announce that Jason “Chinny” Brynford-Jones, Softimage product manager and demonstration guru, is making the trip to London to chair this meeting. It certainly wouldn’t be the same without him. A blast from the past for some of you, “Chinny” has been with the Softimage family for 15 years. He started out as a demonstrator in London and has since gained a reputation as being the cheerful face of Autodesk Softimage. He has been working in Product Management for the last 8 years and is now a Technical Product Manager at Autodesk in Montreal.
Fine Artist to VFX Artist - Could This Be You?
Have you ever thought about taking your artistic talent and transferring those skills to VFX? Then the webinar that we’re running on November 10th could be the start of you doing that. For the industry to remain fresh and buoyant, it’s important that there are constant waves of creative and original talent. We always say that creativity is key – if you have that, learning the technical skills is the easy bit. The current growth of the VFX industry in the UK means there is a growing demand for fresh talent. In this webinar I'll look at the potential routes a Fine Art graduate may take into the industry and the transferable, creative skills that will allow them to stand out from the crowd when making the move into this demanding and competitive industry.
After Effects to NUKE Free Training Workshop
Are you an After Effects user, looking to progress over to NUKE? If so we have a free training workshop that could help you.
New 3DBOXX 3970 XTREME: Pick of The Week for Desktop Engineer!
BOXX Technologies are bringing a new workstation to the market that aims to boost processing speeds and accelerate workflow. This unique product is kitted out with 2nd Generation Intel® Core™ i7 processor as well as Intel Smart Response Technology, a combination you can’t get elsewhere. It is currently the fastest single socket workstation on the market, with incredible speeds of up to 4.5 GHz. The latest addition to the 3DBOXX XTREME workstations line, it is designed to offer exceptional support for visualisation, modelling, 3D animation and motion media applications.
Alex Williams Cartoon Book Launch
Pictured centre flanked by tutor Gideon Corby to the left and Training Manager Miles Petit to the right, Alex Williams savours the launch of his book with a glass of champagne.
Escapees in far-flung places
It turns out that our escapees are never prouder than when they are wearing an ‘escapee’ T-Shirt, as you can see in this photo of Mentored VFX Course student Ricardo Vianna. Whenever I’m out and about in Soho, I’m always surprised by how many escapees stop to tell me that they continue to wear their T-Shirt, even after we have placed them in jobs. Some have mentioned that they’ve even taken them on holiday. All of our Classroom and Mentored Course students get a T-Shirt and they are becoming a bit of a phenomenon – well, put it this way, it’s very easy to spot our graduates when out and about in the industry. It turns out that one of our students has a picture of herself standing outside the pyramids with it on! (Picture coming soon…).
Special Compositing and Animation Open Days announced for November
Once again we are going to be running a couple of course specific Open Days for those would like to find out more about our courses and the sort of training we offer here at Escape.
CG Whiz Judge Lee Danskin: Tips for the Amateur Category
CG Whiz 2011 has been open for entries for over a week now, and we’re already seeing lots of great work coming in. We know a lot of you will be hard at work on your showreels, so to give you some insight into what the judges will be looking for in the amateur category, we caught up with Lee Danskin, our Training Director and a CG Whiz judge since the competition started two years ago.
Coaching Diary – A day in the Life of a Compositor at Framestore
One foggy day in London town, a gaggle of our compositing students congregated for coffee at Oxford Circus.
MARI vs Photoshop Webinar… Coming soon!
There’s a new tool on the market that is taking the industry by storm. MARI is the magnificently user friendly 3D paint package that lets an artist spend more time painting and less time battling tech issues. It offers a great many solutions that until now have been missing from comparable applications. Photoshop continues to be an invaluable tool to compositors and motion graphic artists, but MARI has the time saving functionality currently missing.
Summary of 23 MARI Tips Courtesy of Henry South!
Last month Henry South, lead texture artist at Framestore, kindly shared 23 MARI tips via twitter over 23 days. For those of you who followed these feeds over the 23 days, thank you for your positive feedback. Your encouraging messages let us know that these little projects are welcomed and necessary.
The Art of Flight
It might be sunny outside now, but we're in England, so its fair to say that winter is just around the corner. For most, this invariably leads to grumbling about dark, depressing days, weather-induced travel disruption, and just how much you can't afford Christmas this year. But for some of us its a time to get excited about the upcoming snow season, and whether you ski or snowboard, nothing gets you in the mood like a stupidly high-budget documentary showing people younger than you, performing tricks you will never be able to do, in places you will never go.
Cool skiing and snowboarding videos are a dime a dozen these days. Every grungy kid with a camera and a rough idea of which way up to hold it can shoot his mate face-planting in their back garden and stick it on you tube, but with so much stuff on the internet these days, people bore easily, so it takes something special to drop the masses' proverbial jaw. The Art of Flight is something special. Released earlier this month, it is the much anticipated sequal to BrainFarms' 2008 release, That's It, That's All, which documents pro snowboarderTravis Rice and his entourage of boarder buddies hurling themselves off some of the most incredible mountains in the world. The sequal aims to go bigger, better and harder and do it all in 3d. With more helicopters.
True to their style, Red Bull Media House spare no expense at producing a luscious looking result chok full of awesome landscape shots, arty focus pulls and lots of obligitory slow mo. Amongst others, Brainfarm used the Phantom Flex camera, capable of packing 1 second of time with a whopping 2800 frames at full 1080p which goes some way to explaining why it features so heavily. Other camera trickery includes lots of low fish-eye shots, the usual head cams, and even suspending a cameraman by his waist from a cable car wire. Huge tricks are what this film is selling and what you get defies belief and seemingly gravity some of the time. Even the helicopter pilots seem to be adrenaline junkies, often nosediving down a cliff face after unloading their troops.
So clearly we can't compare something of this scale to backyard handicam hijinks. Yes, this film does seem to sweat the supposed $2 million budget put into it and wallow smugly in its own glory a little bit, but rightly so too. Despite the fact that this is supposed to be a documentary about snowboarding, or more accurately, a documentary about making a documentary about snowboarding, it is as much about showcasing some really lovely cinematography and editing, while also paying homage to the extreme landscape and conditions that these guys choose to test. Focusing on these aspects makes it so much more accessible to people who would normally have no interest in a film like this. You could show this to your gran and she will probably overlook the fact that some silly boys have stuck two skis together, just because its so beautiful to watch.
So whether your a skier, snowboarder, tobogganer, or enjoy wildlife (in every sense of the word) documentaries, this is guaranteed to send shivers down your spine and possibly have you typing your credit card details into a travel website shortly after. Dangerous stuff.
It might be sunny outside now, but we're in England, so it's fair to say that winter is just around the corner. For most, this invariably leads to grumbling about dark depressing days, weather-induced travel disruption, and just how much you can't afford Christmas this year. But for some of us it's a time to get excited about the upcoming snow season, and whether you ski or snowboard, nothing gets you in the mood like a stupidly high-budget documentary showing people younger than you, performing tricks you will never be able to do, in places you will never go.
