Disney have just released the first images of a novel 3D printing technology that they are developing.
It seems that for the last decade, a whole plethora of films have been remade when the original should never have been touched. Classic cult offerings such as Assault on Precinct 13, Cape Fear, Death Race 2000 and even Clash of the Titans have all undergone a reworking, which some might say was wholly unneeded.
Most people know that Escape Studios is a world class CG Academy as well as a leading supplier of the latest technology and software to the industry. A lesser known fact is that Escape is also a leading Post Production freelancer agency who work with some of the top studios in the world, we understand better than anyone the challenges of resourcing a project.
Riding on the excitement of the new Bond film, Skyfall, Heineken has a James Bond themed ad, featuring Daniel Craig. The VFX for the ad were done by none other than our good friends at The Mill, and the global TV and digital campaign will be activated across 32 markets and involves the participation of the film's stars, Daniel Craig and the latest Bond girl, Bérénice Marlohe.
Looking to learn something new? If that’s the case, then we have two webinars coming soon that deserve your attention. Both webinars range from beginner friendly, to the more advanced, where NUKE operators can learn more about how to apply Python to their projects. Both webinars are at either end of the spectrum, concentrating on the art of compositing in all its different forms. So to get a better understanding of skilful compositing, make sure you tune in for either or both presentations.
You've got to hand it to Vincent Morisset, he's one pretty cool dude. His collaboration with Arcade Fire in the making of an interactive music video for their song, "Neon Bible", has created something completely different from the norm. I've never had so much fun just clicking a mouse!
You’ve got to take your hat off to the people who do the part-time evening courses at Escape. This is the course that people choose when they need to schedule their learning around other life commitments… and those life commitments usually involve full-time work.
In this day and age of huge Sci-fi VFX productions that really don't go anywhere (cough!.. Prometheus...cough! cough!) emotionally we find ourselves longing for some real substance with our entertainment. Enter Grounded , a film short by Kevin Margo, a VFX vet from Blur Studio, about an Astronauts journey through space and life. The short was a top award winner at multiple festivals around the planet and in true VFX fashion Kevin and his team created a process short along with the film to show all of those VFX hopefuls out there just how it was done. Top notch work from a top notch creative, I do hope we see some more from Mr. Margo's mind!
London 2012: a year of sporting valour and competiton to divide nations; of edge-of-our-seats spectacle and awe. I am speaking, of course, about Electric Theatre Collective's Biscuit World Cup (BWC)— and the suspense is such that we at Escape Studios could all do with a sit down, a nice cuppa cha and, well, a barrel of our dunkable little friends.
With all of the buzz surrounding Escape Studio's launch of the UK's first VFX Festival, it's an opportune moment to reflect on the evolvement of the VFX industry over the past decade.
Last Thursday, Escape Studios launched the UK’s first VFX Festival with an exclusive panel debate made up of the industry’s top flag bearers!
Anyone who knows Escape Studios will know how valued our Studio Assistants are. Representing the heart of Escape, they keep this VFX academy a well-oiled machine. From supporting current students with their projects, making sure deliveries go out on time, to editing showreel videos, no job is too big or too small. And in return they are in the best place to ready their showreels for that next step in to the CG industry.
Prime Focus World is the VFX house behind another big box office success, delivering 650 stereo VFX shots for “Dredd” in 3D. To put that into perspective for you, that’s 90% of the VFX for the entire movie. What’s more, this was achieved over a 24-week production period. A massive achievement on an epic scale!
Described as ‘this decades The Matrix’, the phrase alone has already set very high standards for it’s audience. Possibly a bold statement to make, The Matrix was pretty groundbreaking for it’s time. At first glance, the statement seems a cheap marketing gimmick, and one with little to support it. But if ever a marketing gimmick was doing it’s job right, it is now… because it definitely grabbed my attention and intrigued me enough to find out more about the film.