Lincoln is very much a hit with the award bodies this year. Having only just recently hit the cinemas, the film has already scooped up a Golden Globe and a BAFTA as well as being nominated for 12 Oscars. And although this is all very lovely, we’re more interested in the stunning results achieved by Framestore for this epic biopic. Providing the backdrop of 1865 America, a country ripped in two by civil war, Framestore worked alongside the filmmakers to make a historically accurate recreation that was both invisible and believable. And having already proved their expertise on Spielberg’s previous project War Horse, Framestore have obviously earned the trust and respect of Steven and his team.
If you're a regular through our doors then you might have noticed a few changes. Here at Escape HQ we've been busy building, painting, schlepping, and revamping our office area, studios and break out space for a new and rather fresh look. There's still quite a few bits and bobs to do but here's a look at what we were then and what we are now...
The role of Visual Effects Supervisor is hugely important on set as well as during the whole post production process. This person works with both the Director and Clients to convert artistic concepts to stunning visual imagery.
The legend that created the lab process of travelling mattes, (that’s blue/green screens to the rest of us) sadly passed away last week, at the grand age of 96.
I officially love The Walking Dead but hate the long breaks in between series (can I get an Amen to it's return this month!) so thankfully Skybound - the same company that publishes TWD comics - has produced a top-notch game app to see us through those tough times and give us our zombie slaughtering fixes.
pho·to·shop, transitive verb, often capitalized \ˈfō-(ˌ)tō-ˌshäp\
to alter (a digital image) with Photoshop software or other image-editing software especially in a way that distorts reality (as for deliberately deceptive purposes)
- Merriam-Webster online dictionary, 2012
Our friends over at View Conference Italy, last week unveiled that they will be providing cash prizes for winners of their different awards. The prizes vary from top of the range tablets to a lump sum of 2000 Euros. The categories for application are as follows (complete with direct links)
Fancy knowing more about compositing? Do you think you might just be a natural compositor? If you'd like to find out more then why not come along to one of our compositing taster days?
Compositing is a crucial part of the Visual Effects pipeline. It's the bit where everything comes together. pipeline, the bit where it all comes together. As a Compositor, you’re the person who has to make sure the shot meets the artistic brief from the
director. You’re the one who’s finessing that creative vision. That final, all important creative milestone – that’s you. The Compositor. The person who naturally looks for the finer detail, who enjoys checking that the colour is ‘just right’, the person who questions whether that ‘hair’ looks part of the scene or not and if not, why not? You’re the person who helps deceive the eye, so the viewer asks, where there any Visual Effects at all?
Combining lots of different elements to make us believe we’re looking at a single scene is no mean feat and it takes highly dedicated individuals to make it happen. Without Compositors we’d never be looking at those gorgeous finished shots we’re so used to seeing. Instead, we’d be looking at the gaudy wires that support actors during actions sequences and shots lacking in any kind of atmosphere or composition. This is the department where the real magic happens through a variety of processes.
So fancy a day trying this out? seeing if it's for you? Places are limited so make sure you register your details now.