As the end of 2010 approaches we're filling up fast for our next round of courses in January 2011. The last spot on our Compositing course has just gone, so the next seats available for that are now in April. We have also just filled our Character Animation course with Alex Williams so we now only have a few seats left on the two Visual Effects Production courses, taught by Mark Spevick and Dan Shutt.
I went to see HP7 at the weekend. We are all different but I really miss the magical events of the early Potter, I guess I just didn't want him to grow up!
The VFX work was amazing, as always, well done to everyone involved. Would the film have been enhanced if it was in 3D? I think possibly so, but as we all now know, 3D as an afterthought is not the way to go.
I do worry about having a 'two parter' personally, you are going to the cinema knowing that there will not be a resolution. But that said, the cinema was full and that has to be a good thing for the industry. Count down to the final film... or will it be?
Here's a great piece of animation which illustrates something I care deeply about, the education system.
As this year’s CG Whiz competition finally closes, we’re delighted to announce we had 170 entries through the door (smashing last year’s entry tally) and the quality of reels blew us away. There’s definitely a lot of talented CG artists out there and we know just how much this competition can help up and coming artists get their foot in the door.
Here I am, sat in the airport with some time to kill – so I start reading the papers and the front pages are all covered with reviews of last night’s premiere of Harry Potter (The Deathly Hallows Part 1) in London. That’s lucky, because I really like Harry Potter and I am quite looking forward to seeing the film.
Yesterday, Pixar announced an unprecedented price drop in their flagship product RenderMan® Pro Server. The 40% reduction will allow studios and freelancers that were previously unable to buy into the technology, to get a slice of the Film / VFX industry standard renderer. With the global CG expansion, Pixar appreciate that the growth of renderfarms is real and happening now, this move allows existing customers to ramp up their rendering capabilities in a more cost effective manner whilst allowing smaller shops and freelancers access to the toolset.
The team here at Escape are on day 12 of the Mo' growing, for some of us it's more like no growing... But it's all for The Prostate Cancer Charity so we don't care!
We have some updated pictures, please laugh, we are every day!
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We’ve had some fantastic entries for CG Whiz 2010, but the deadline is fast approaching. Any entries submitted after midnight tonight (Pacific Time – 8 am GMT or 7 pm in Sydney, Australia) will not be counted, so you’ve only got a few more hours to get your reel in. You can do this via Twitter, Vimeo, YouTube or Facebook, but remember to email CGWhiz@escapestudios.com with your contact details too.
There's nothing better than gaining extra skills - especially when you can do it for free. This month's free tutorials have been taken from our Camera Tracking and Nuke courses and are great for boosting your skills if you're looking to become professional. The great thing is, they're just 10 minutes long so you can easily work through them in your lunch hour, but like last month's six free Maya Tutorials they're staying in our e-learning platform permanently so you can refer to them whenever you want.
Few of you will have missed this morning’s headlines about yesterday’s violent student protests in London. Taking to the streets is not something that comes naturally to British people – unlike the French, who view student protests almost as a right of passage. So, having 50,000 of them marching in London shows the level of discontent over the government’s recent decision to increase tuition fees.
VFX escapee, Jacob Flint has just bagged a job at The Mill which as you can imagine he's pretty pleased about. The truth is, we are too. Having studied with us for 12 weeks on our VFX Production course, Jacob learned all of the vital skills that he needed to get started in the industry right away. He was pretty nervous during his interview but ultimately his skills shone through.
Having started at the beginning of October, the first batch of students from our Online Mentored Visual Effects Course are well under way and the initial results of their work has been great.
Last week, we launched our first academic qualification, an MA in Visual Effects Production, which we’re running with the University of Bradford. You’ll probably be wondering what we’re up to, what with everything that’s been in the news about how much university tuition is going to cost in the UK. Having collaborated on this project with some leading industry pros, however, I reckon we’re on to a winner. Here’s why:
Now, I realise that it’s a bit of a leading question, especially as all of us in this industry rely so much on technology…